Tuesday, May 31, 2016

Progressiveness: The Best Albums From Pro Era



What's up folks?!  Hope everyone enjoyed their Memorial Day weekend.  With the unofficial start of Summer underway, things will start turning up in hip-hop as well.  One noticeable crew has already been making noise thus far in 2016 and it may be just beginning.  NYC collective Pro Era has been turning heads for a number of years now within the underground, and with the emergence of Joey Bada$$ as one of the leaders of the new school, Pro Era is set to unleash a new crop of stars for the general consuming (and streaming) public.  Members such as Kirk Knight, Chuck Strangers, Nyck Caution, Powers Pleasent, CJ Fly, and the late Capital Steez all have greatly contributed to the building success and buzz of this young tandem.  Part of the "Best Coast" movement, along with extended family such as Flatbush Zombies, The Underachievers, and the A$AP Mob, it's very possible this could be the click that brings prominence to NYC hip-hop.  Without any a due, let's get into the best projects to emerge from the camp.



10. Pro Era- The Secc$ Tape

One of the first mixtapes from the camp as a collective unit came in the form of The Secc$ Tape, a ten track collection showing their softer sides of infatuation, hokey crushes, and passionate sexual audio soundscapes.  Strong cuts from Joey, Capital Steez, and CJ Fly stand out with this short, albeit dope, release.  



9. Pro Era- The Secc$ Tape Vol. 2

Extending off their aforemetioned mixtape in the Secc$ series, they continue more of the same boyish charm, with the occasional misogynistic themes, but this time they highlight performances from others like Dezzy Hines, Dyemond Lewis, Dirty Sanchez, and Kirk Knight.  Cuts like "Chocolate Strawberries" and "Dirty Dancing" bring back ol' school courting vibes, and makes for just as fun of a listen as the prior.



8. Nyck Caution- Disguise The Limit

One of the younger prospects of Pro Era is Nyck Caution, whose debut, Disguise The Limit, is a tight debut in which we see the poignancy of a young new jack in the game.  This album has fairly dope, although very varied, production from everyone from residential in-house producers Chuck Strangers and Kirk Knight to southern heavyweight MetroBoomin, but it's his ability to be vulnerable in multiple points on the album such as "Density" and the touching ode to Steez "Out Of Reach" that make this album well worth the listen.



7. Capital Steez- AmeriKKKan Korruption

God Bless the dead.  The late Captial Steez was a forefather, along with Joey and CJ, to the whole Pro Era movement.  For whatever reason only he knew, Steez decided to end his young life Christmas Eve of 2012.  Before his life ended, he completed a mixtape entitled AmeriKKKan Korruption, which was a mixtape in every sense, as there was a mix of original songs and freestyles he did over already established beats from Madlib, MF Doom, and Premo.  The talent of Steez was enough to make him a standout player in the camp.  This was a star on the rise, with or without Pro Era.  There are talks of another Steez album being posthumously released.  Hopefully it will surface, as talent like this needs to be preserved, and also widely heard.



6. Kirk Knight- Late Knight Special

Pro Era's instant go-to producer also came from behind the boards and lit a booth up.  Kirk Knight dropped what can only be stated as a surprisingly hot debut album last year.  Not that we doubted it would be flames once he were to put out something, but more so as to the enormity of how crazy it was.  From the riotous "Brokeland" to the reflective "Heaven", this album is a must have for all those who want a fresh new look into the rise of Pro Era that's not Joey Bada$$.   Expect more fire from young Mr. Knight in the future, and hopefully this album is a sign of future greatness from him.



5. CJ Fly- Thee Way Eye See It

There's something special about CJ.  This original forefather has a vocal and rhyme distinction that makes him more noticeable than say most of the others.  His debut, Thee Way Eye See It, is as fresh of a debut to emerge out of NYC in years, and really showcased his ability to do good to great storytelling.  Cuts like "Eyetalian Frinchip" and the Joey Bada$$- assisted "Sup Preme" are total listens, and could be argued that this is a big pinpoint in the critical acclaim of Pro Era.  



4. Joey Bada$$- B4. Da. $$

We had been eagerly awaiting his full-length debut album since his highly acclaimed prior tapes of 1999 and Summer Knights (see both later), and boy did he deliver.  Undoubtedly his most complete and most confident piece of work, B4.Da.$$ is a coming of age to the young Brooklynite.  Outstanding audio contributions from the likes of Quest love, Statik Selektah, and DJ Premier only enhance the incredible talent this young emcee possesses.  From the moment you push play, there are too many standouts to state a true fave, which is always good.  Without question, Steez is looking on and proud. From the dark grooves of "Big Dusty" to the rambunctious "No. 99", this is packed with enough power to make anyone an instant Pro Era follower.



3. Pro Era- P.E.E.P.: The APROcalypse

While their Secc$ tapes were fairly decent and worth rotating, this mixtape was just FUEGO.  The whole crew, including posthumous verses from Steez, laced this album.  Bleeding of nineties NYC hip-hop (which is a huge part of Pro Era's acclaim), this album has hard hitters in various, yet consistent, shapes and sizes.  The blatant Audio Two-ripped "Florists", the lyrical hunger of "Last Cypher" and "K.I.N.G.S." help highlight one of the best crew/family albums in years and everyone played their part.  An instant throwback to the good ol' days of NYC hip-hop, this is guaranteed to satisfy lovers of Boot Camp, D.I.T.C., and Def Squad.



2. Joey Bada$$- Summer Knights

How does one follow-up a classic like 1999, well Joey Bada$$ knew he had to come every bit as hard with his follow-up mixtape, Summer Knights, and did he ever.  Incredible tracks like "Sweet Dreams", "47 Goons", and the Alchemist-crafted "Trap Door" just scratch the surface on this exceptional mixtape that should've been a full-length album.  A flagship album for those "stuck in the nineties" niggas, Summer Knights has some of the best soundscapes overall from any album within Pro Era and shows just how much the lyrical talent of Bada$$ keeps growing.



Joey Bada$$- 1999

In a word: WOW.  Not in over a decade has there been a mixtape this NYC bled than Joey Bada$$' debut, 1999.  Clearly indicating a certain time period that was true with him, the sounds from this was a shining indicator of such.  Our first true introduction of the Pro Era camp was really exhibited on this album, but clearly Bada$$ was the star on this stellar mixtape.  Practically flawless, 1999 has grown to become the go-to album that represents what Joey and Pro Era are all about, and stands as one of the best mixtapes this millennium.

With debuts coming from Chuck Strangers and Dessy Hinds, it's clear Pro Era isn't going anywhere, as they shouldn't.  With so many people claiming to bring back NY hip-hop, they're truthfully lame compared to these cats and anyone associated with them.  Be clear kiddies: Pro Era is the future, and don't say i didn't warn you.  Until next time, cats!

Friday, May 27, 2016

Half Down...The Best Albums of the Half Year



What's happening folks?!  Glad to see everyone holding it down and still hanging in there.  It's been a pretty nuts couple of weeks in hip-hop.  From the tragic shooting in NY at the T.I. concert to the phenomenal return and history making accomplishments of Chance The Rapper, this is without question a non-boring time in the game.  While many scoff at Meek Mill winning the Billboard Rap Album of the Year over the likes of Kendrick and Drake, but none can deny the crazy half year this has been, and now it's time to look at the best of the best with releases thus far.




16. Flatbush Zombies- 3001: A Laced Odyssey

The intriguing, yet talented, trio of Zombie Juice, Meechy Darko, and Eric Ark Elliot present another smoked out, psychedelic trip that is the world of the FBZs.  This extended family of Pro Era expands off their last mixtape, Betta Off Dead, and with cuts like "Fly Away" and "Ascension", these cats, who are already gaining a cult following, will only become more successful and gain more fans along the way.  Be prepared for a dope, yet slightly to-the-left, album from this Brooklyn collective.



15. Nyck Caution- Disguise The Limit

Is there a hotter East coast collective right now than Pro Era?  While some would say the A$AP Mob would be, Pro Era has definitely been more consistent.  Last year, Kirk Knight and Joey Bada$$ dropped excellent releases, but now it's Nyck Caution's turn and he does an admirable job with this mixtape, Disguise The Limit.  Personal cuts like "Somebody" and title track all show the deep mind of this young NY native.  With releases coming from rapper/producer Chuck Strangers and possibly another Bada$$ album on the way, there's truly no stopping this tandem.



14. Murs & 9th Wonder- Brighter Daze

Backpackers rejoice! Murs and producer extraordinaire 9th Wonder reunite for a surprise album, Brighter Daze, that caught people completely out the blue.  We're not complaining at all, as this album sounds like they never missed a beat since their last album, The Final Adventure.  Lots of standouts, but who can dare front on their reworking of Pharcyde's incredible "Otha Fish"?  Hopefully we can get more from these two.



13. Masta Ace- The Falling Season

Legendary emcee Masta Ace returns on his own without his eMC collective with the follow-up to his acclaimed MA DOOM: Son Of Yvonne collab with MF DOOM.  On this album, The Falling Season, we see Ace through his young high school days, in which he experiences his embracing of hip-hop culture, bullying, academic successes and struggles, and girl crushes.  While just short the exceptional albums of Disposable Arts and A Long Hot Summer, cuts like "Young Black Intelligent" and "Me & A.G." are examples of how Ace has stood among these young cats as still one of the illest around.  Mastering the art of the relevant and adaptable concept album, he still has a lot more yardage to him.



12. Drake- Views

At this point, it's undeniable that Drake is the most in-demand rapper in the game that's not named Chance or Future.  Millions of albums sold and after dropping his best effort to date in last year's If You're Reading This, It's Too Late mixtape/album, many were still wondering about the release of his much anticipated Views From The 6.  He managed to drop another mixtape, only this was a collab with Future in What A Time To Be Alive.  Still, no Views From The 6.  We started getting teasers, trailers, and billboards saying that the "6 god" was coming.  After delivering three singles with "Pop Style" featuring Jay-Z and Kanye West, and the reggae tinged flavor of "Controlla" and "One Dance", it appeared he was back, and possibly with a vengeance.  While not quite the monster we were anticipating, there were still enough enjoyable moments to quench the thirst of the most hardcore Drake fans.  However, suffice it to say, we all know he can do a lot better.



11. Statik Selektah & KXNG Crooked- Statik KXNG

When the announcement came of boom-bap expert Statik Selektah teaming up with ferocious west coast rhyme animal and one quarter of Slaughterhouse, KXNG Crooked (formerly Crooked I), the streets were immediately perked up.  The album didn't disappoint once it dropped.  Blistering cuts like "Let's Go" and "I Hear Voices" define the album with crazy production from a crazy producer and insane lyricism.  Now about that that Slaughterhouse Glass House album???



10. Elzhi- Lead Poison

Detroit's own lyrical menace, Elzhi, returned with his most poignant and personal album to date.  After finding out he had been dealing with personal issues, alcoholism, and depression, we heard it painfully bleed through in this album.  Sounding reinsured and refocused, Elzhi has returned with a meditative yet reflectional piece of work that shows that he's not only one of the D's finest, he's human.  Appropriately entitled Lead Posion, Elzhi shows his weight with great cuts like "Two 16s" and "February", thus backing of above average lyricism and story-telling.



9. Torae- Entitled

Coney Island emcee Torae has been called the "young veteran" for a few years now, and his ferocious flow and excellent lyricism brings him back to the forefront with his new solo album, Entitled.  Fresh from his FIRE collab album with Skyzoo, Barrel Brothers, Torae is back to wreck miss and rip off heads with cuts like "Clap Shit Up", "Coney island's Finest", and the Pete Rock-crafted "Get Down". Trust me cats, this is an album to not get slept on nor messed with.  Torae is here to stay.






8. J Dilla- The Diary

At long last, we finally, thanks to Ma Dukes Yancey and Nas, got our hands on the LONG awaited solo rap album from the late great iconic producer/rapper J Dilla.  Supposedly finished back in the mid-thousands, this album contains grooves from not just himself, but outside help from the likes of Supa Dave West, Pete Rock, and Madlib, among others.  This even contains the heralded lost gem "Fuck The Police", and it still doesn't misstep any on this fantastic release.  However, it's the cut with Nas called "The Sickness" that shows how special this album really is.  For all Dilla fans, this is without question, one you NEED.



7. Kanye West- T.L.O.P. (The Life Of Pablo)

The ever enigmatic moment stealer, Mr. West.  Once again, walking the line between messy and genius comes T.L.O.P., which although is far better than the overall erratic, unorganized flaw that was Yeezus, is still not quite the standard of his college themed first three monuments, but it still contains a beauty within the puzzle that makes people wanna stay glued to this project.  He gives thanks to the Most High on the churchy "Ultralight Beams", he connects with Kendrick on the Madlib on the scorching "No More Parties In LA", and gives a woeful letter to his father on "Father Stretch My Hands".  His strengths outweigh his negatives on here, but as he includes on his actually stellar interlude cut "I Miss Kanye", we miss the old Kanye.



6. Royce Da 5'9"- Layers

Many consider him the most complete emcee to emerge out the D, and rightfully so.  Ryan Montgomery (aka Royce 5'9") has been known for acclaimed work for the better part of over a decade now, and his new album, Layers, is definitely no different.  Definitely a personal album, his most personal since his stellar Death Is Certain, Royce pulls the curtain back on the amazing standout "Tabernacle", but also kills the mic on cuts like "Hard" and "Wait".  Earlier in the year he dropped the EP, Tabernacle: Trust The Shooter (see later) and with more projects coming including The Book Of Ryan, and hopefully the long awaited Glass House album from Slaughterhouse, this could be the busiest year yet for Royce.



5. Havoc & The Alchemist- The Silent Partner

For years, Prodigy was always regarded as the iron half of Mobb Deep lyrically, but cats would sleep on the skills of Havoc.  He wasn't just the monster behind the boards, but his mic skills weren't too shabby either.  This was especially showcased on his solo albums of The Kush and 13.  Now he's back with Mobb affiliate and famed beat-monster The Alchemist with The Silent Partner.  Already acclaimed with P for his work on Return Of The Mac and Albert Einstein, it's Hav's turn to collab with this insane producer, and the results are borderline spellbinding.  Recapturing the old Mobb sound, Al provides the perfect soundscape for Hav and friends like P, Cormega, and Method Man to rip apart.  While not necessarily breaking any ground theme wise, what isn't broken doesn't need to get fixed in this case.  This is classic Mobb and Al.



4. Royce 5'9"- Tabernacle: Trust The Shooter

Earlier I stated how Royce was a complete emcee, and is without question one of the most feared lyricists in all the game.  This was first reaffirmed on this surprise EP he dropped to serve as a teaser for Layers.  In some cases, this was even better.  This is just straight up raw lyricism, which goes from passive ("Which Is Cool") to ever aggressive ("Dead President Heads"), and with scorching beats from the likes of Rhyme tag team partner DJ Premier, Nottz, and S-1, this EP is simply flames, and shows that he belongs to be in talks of the most respected emcees of all within the past ten years.



3. Oddisee- Alwasta

In 2015, Mello Music Group's Oddisee delivered one of the year's single best offerings in The Good Fight.  This year, while delivering his next solo offering at year's end, dropped a surprise EP for the heads, and what an excellent EP this was.  Slightly darker and more moody than the boardwalk of The Good Fight, Oddisee continues to show why his star appeal can't keep getting ignored.  With cuts like "Lifting Shadows" and "Slow Groove", his mainstream appeal will grow and grow more and more, until he could be the next big emcee/producer in the business.  Stay sleep if you want to.



2. Kendrick Lamar- Untitled Unmastered

Besides Top Dawg, there's one person to thank for this album getting released: LeBron James.  If it wasn't for him tweeting TD to have King Kendrick drop an album filled with the live, unreleased performances he would get down to on shows like the Grammys or Stephen Colbert, this would never exist.  While this is simply the cuts in their rawest form, each cut on here represents something exquisite and special.  Tracks like "Untitled 03", "Untitled 05", and "Untitled 06" would've been PERFECT for his landmark To Pimp A Butterfly.  Even the rest of them belong on some phenomenal work from him.  Had this been a mastered, reworked album, this would've been the perfect companion for TPAB.  Although this is more like Kendrick's Lost Tapes, this still stands as a classic for the potential in these tracks alone.



1. Chance The Rapper- Coloring Book

If there was a more serene, peaceful companion to last year's To Pimp A Butterfly, this would be it.  Highly regarded emcee out the Chi, Chance The Rapper, was last seen with The Social Experiment delivering the hit-and-miss Surf, but was especially known for his prior mixtape Acid Rap.  Lately, he's been chopping it up with Kanye and Justin Beiber, and when it was announced he was finally dropping his next mixtape, heads were waiting, and it was truly worth the wait.  However, if you're expecting Acid Rap 2, you'll be thoroughly disappointed.  This is the traveling of a young man searching for an embracing God while still trying to find his way, and the results are simply fantastic. The album sounds of one long version of Kanye's "Ultralight Beams" or even Kanye's "Jesus Walks", only with the occasional hood elements of the 2 Chainz/Lil' Wayne-assisted "No Problem" and the Future-assisted "Smoke Break", however we're back in church with "How Great" and the T-Pain/Kirk Franklin-collaborated "Finish Line/Drown".  Will Coloring Book be for everybody? No.  However, for those that clearly see a star is being born in front of our eyes with an album this special, this is a treat and really shows how much a man can grown within the span of three years.

As you can tell, this has been a pretty interesting year already, with other projects from Future, ASAP Ferg, and alternative hip-hop act Death Grips dropping great albums this year.  However, we still have highly anticipated albums from Nas, Common, The Game, T.I., Phonte, De La Soul, Pusha T, ScHoolboy Q, Isaish Rashad, Ab-Soul, and reportedly Yasiin Bey's final album, thus making the remainder of the year very exciting.  If it plans on outdoing the past three years, it's gonna have to be, which I'm confident it will be.  until next time cats, I'm out!

Thursday, May 12, 2016

20 Years Later: Dr. Octagonecologyst



What's the deal peeps?!  Can I frank for a minute?  I'm LOVING these salutes to albums that are celebrating the golden age of twenty.  Not just any regular albums, but albums that were impactful and highly touted.  One of the more highly touted albums oif that year was also among the most creative and original hip-hop albums ever crafted.  Who else could it have come from an enigmatic emcee that is actually among the true unsung heroes of the game in terms of reinvention and creativity, if not for anything else, his sexual overtures.

We became familiar with Kool Keith as part of the Ultramagnetic MCs, and the EXTREMELY under appreciated monument that was Critical Beatdown.  Why that album is JUST NOW getting the respect it deserved back in the late eighties?  I have no idea.  However since then, Keith dropped another two other albums with them that weren't nearly as acclaimed, thus the beginning of Keith's solo career.  This marked a career turn for Keith Thorton, as he became this sexual deviant whose perversions with sex were so out there, they actually became intriguing, if not for nothing to see how far he could go.  The start of these ventures originated with him becoming Dr. Octagon.  This identity of Keith was as half insane as it was brilliant.  Dr. Octagon was a time traveling surgeon that was half sexual, half demented.  He often killed patients he was operating on, then would turn right around and would seduce other female patients, as he also doubled as a gynecologist.  Wait, it gets stranger.

Apparently Octagon is from Jupiter and how he described his skin and physical attributes is...well...WEIRD.  Octagon is clearly a bizarre, twisted, perverted being, and it made for some very enjoyable listens.  Crafted by Kutmaster Kurt and the Gorillaz' producer Dan The Automator (who also did another sci-fi hip-hop classic, Deltron 3030 with Del Tha Funkee Homosapien), this is a fascinating piece of work that must be heard to be digested.  Literally, this needs to be heard quite a few times before you really get to the core of the matter about Keith's genius.  Cuts like "Girl Let Me Touch You", "Halfsharkalligatorhalfman"", and "Earth People" are all rides in the extra-terrestrial operating room that are part deranged, half entertaining.  He describes his skin as orange and green with green eyes and a multi-colored Afro.  The bizarre nature of this album is what defines this epic piece of music.  Other tracks like "3000" and "Real Raw" show off lyrical skills that BRIEFLY have people reminiscing of the more normal (if you can really call him that) Kool Keith.  Moments like this are few and far between, and frankly, that's just fine with us.  A doctor that specializes in "rectal rebuilding" and "saliva gland relocation" among several other practices, Dr. Octagon was a hip-hop original.

This album stands as a true staple and flag bearer of alternative hip-hop, as there has been nothing quite like it since.  Since the emergence of Dr. Octagonecologyst, Kool Keith has dropped twenty other albums.  While others like Black Elvis, Sex Style, First Come First Served, and the most recent L'Astonishing with producer extraordinaire L'Orange, Kool Keith has garnered a big cult following, especially with the release of this seminal release.  Considered too "out there" by most of his hip-hop contemporaries, the album found itself in the homes of most alternative and underground fans due to how grossly unconventional the album is to this day.  One of the most influential albums in all of music, Dr. Octagonecologyst is an original to say the least.  You'll be disgusted just as much as amused.  Shocked as much as in gut-busting hysterics.  Wouldn't it be insane if Dr. Octagon or his other alias Dr. Doom did a track with MF Doom??  God, the possibilities (although Octagon got killed by Dr. Doom by the end of the album, he resurfaced years later with Return of Dr. Octagon).  In any event, this album is an undisputed classic in underground and alternative circles, and best believe, there will never be another quite like this, because there will never be another Kool Keith.

20 Years Later: Stakes Is High



What's the deal folks?!  It's been a few weeks since I've done any twentieth anniversary salutes, but now's as good of a time as any to bring the momentum back for albums that have influenced generations and have catapulted artists into higher lime lights or greater recognition.  One such album involves arguably the most enduring group in all of hip-hop who are no strangers to crafting some of the most timeless and creative hip-hop ever heard and are unsung heroes.

Three long Island emcees known as Trugoy, Posdnous and Maseo came onto he scene in '88 known as De La Soul.  They emerged with a fresh new style that was unlike anything quite out at that time (you know when hip-hop was actually original and more fulfilling consistently).  These bruthas put out the ever funky "Me, Myself, and I", and the rest was history.  The Parliament-sampled hit still stands as their most recognizable cut and the album that followed, 3 Feet High & Rising, became one of the most unique and innovative hip-hop ever had the joy of experiencing.  A Certified and undisputed classic, they had the nerve to follow that up with ANOTHER classic release, the ahead-of-its-time De La Soul Is Dead (which actually is celebrating its twenty-fourth birthday this year).  This particular album was far from the happy-go-lucky, hippy-themed debut we experienced three years earlier.  This album was a tad darker, and definitely more focused on them as emcees.  If the cuts alone weren't magnificent, as they were pointing out and calling out those who were saturating the game with the wrong ideals of gangstas, guns, sex, and money.  Yeah people like Naughty By Nature took offense at this time.  Still under the direction of Prince Paul, who guided them with 3 Feet High and Rising, many felt this album was more stripped down and more the core of what De La represented.  It didn't end there, as their next album, Buhloone Mindstate, was practically every bit as stellar as the prior two, as we continued to see a growth and maturity of De La, lyrically and musically.

In comes '96, where they would drop their fourth album, Stakes Is High. There were many that ruled this as the best album of '96.  Although I personally it wasn't THE best of the year, only a fool wouldn't put in the top three or five. It had been a couple years since we had heard LI's finest, but it was completely worth the wait.  We were first buzzed by the street single featuring Common, "Tha Bizness".  This cut was as funky of a De La cut as you would hear from them, but by no means did it stop there.  many thought they would fall off by not working with Prince Paul anymore, but nothing could've been further from the truth.  This was evidenced with the excellent title track, crafted by the legendary Dilla.  Sounding refreshed and reinvigorated, De La had a passion about them that we hadn't heard, maybe ever.  With the prior three albums, they had a point to prove very vehemently.  While it resulted in the best music of their careers, this sounded like there was more of a carefree, let loose mindstate while still being very lyrical and keeping it purely hip-hop with no gimmicks.  The third single "Itzsoweezee" was fantastic standout that had Trugoy going for dolo on the track.  Among other highlights include the breezy "Long Island Degrees" (which easily could've belonged on Buhloone Mindstate), the superb collab with Mos Def "Big Brother Beat", "Brakes", and "Sunshine", all of which showed their importance in the game, dropping jewels of wisdom and introspection, yet showing these cats they're not all any chumps simply because they don't boast about guns, drugs, and sex, at least not without a concept or a point.

Later albums like Art Official Intelligence: Mosaic Thump, AOI: Bionix, and the most recent The Grind Date all show why they're among the most respected groups in all of hip-hop, but Stakes Is High stands as one of their most cohesive and fluid albums within their entire discography.  These elder statesmen, while in their fifties, are still putting out material, as their And The Anonymous Nobody, is slated for this August, and is promised to be among the best albums of the year.  With Stakes Is High, they finally relaxed, and were just emceeing without any necessary point to prove except that they were and still are one of the game's most revered groups.

Saturday, May 7, 2016

Great First Impressions: The Best Debut Albums Of All-Time



What's going on folks?!  Hope everyone had a great weekend.  While we're still recovering from one of the heartbreaking weeks ever known with the passing of Prince, the moving on aspect has been tough.  Although he has fairly mixed to dismal reviews with his debut in 1978, it was obvious there was something special there that just needed to come out.  From his second self-titled album on, he changed the world with his truly artistic brilliance and his musicianship made him an icon.  However, there are artists that got it right the first time.  This list salutes several of the best debuts ever recorded.  This was a VERY hard list, as I based the list based off impact, legacy, being a game changer in some way or form.  With that said, let's get started.


50. Run The Jewels- Run The Jewels

When you mention the names Killer Mike and El-P, on paper one could never see these two as a massive combination.  However kiddies, I have news for you.  These two became the most in your face, acclaimed duo in years.  First collaborating on Killer Mike's unbelievable R.A.P. Music album, they decided to do a full-length album together, and the results were nothing short of magic.  Not as aggressive, violent, controversial, or political as their CLASSIC second album, this album is a bit more lighthearted, yet you still got the message they were presenting.  A phenomenal introduction to the most dangerous duo in rap today.



49. The D.O.C.- No One Can Do It Better

In '89, there was a young man originally from Dallas, TX was down with N.W.A.  In fact, he helped write some of N.W.A.'s hottest hits.  This cat's name was The D.O.C., and his debut, No One Can Do It Better, was explosive.  Hit after hit, while also being the first project Dr. Dre would fully produce that wasn't N.W.A., this album was a power packed debut filled with highlights.  While we were familiar with "It's Funky Enough" and "The Formula", other cuts like the title track, "Mind Blowin" and the CRAZY collab with N.W.A. "Grand Finale" were every bit as sizzling.  This was the epitome of a hot debut that still stands up against practically any debut of today.  Sadly, with his tragic accident that claimed his vocal chords, we never got a very decent follow up as Helter Skelter was a brave attempt and Deuce was as well, but this is a debut he can forever be proud of.







48. Lil' Kim- Hardcore

In a game where men can proudly express their sexual dominance freely without any retort, it was time for the females to do the same, and Lil' Kim became the Queen (if you will) of it.  Biggie's protege was highly buzzing off Junior M.A.F.I.A.'s "Player's Anthem", her debut was anticipated and it didn't disappoint.  This was a crass yet highly entertaining debut from Miss Kim Jones and it was enough for her to hit her highest selling album to date, selling more than five million units total.



47. AZ- Doe Or Die

If there was one emcee that should've been a star after one verse, it was AZ.  After dropping a classic sixteen on Nas' "Life's A Bitch" on hip-hop's genuine article, Illmatic, many were wondering when was his album gonna drop and would it rival Illmatic.  While the latter didn't happen, his debut album, Doe Or Die, was still one hell of a debut album.  His most recognized album to date, AZ greatly shined on tracks like "Rather Unique", "Gimme Yours" and the platinum-selling first single "Sugar Hill".  This was dropped during the mafioso period of '95 and there were cuts that reflected this, but regardless this remains a gem of an album, and even though he has put out some excellent albums afterwards like Aziatic, A.W.O.L., and Pieces Of A Man, Doe Or Die is his greatest prize.


46. Goodie Mob- Soul Food

On Outkast's groundbreaking debut, Southernplayalisticadillacmuzik (see later), there were a few guys on the album known as the Goodie Mob, primarily Cee-Lo and Big Gipp on the superb single "Git Up, Git Out".  It wasn't long before we heard they were dropping their solo debut, and it too became an album of legend.  Their anticipated debut, Soul Food, was more personal and soulful (no pun intended) then Outkast's debut.  Leading with the haunting and apocalyptic "Cell Therapy" and following up with the enjoyable title track, this album an album that hip-hop greatly needed during the time of '95.  This was almost like street southern soul, a mixture of consciousness and a down home aesthetic which, if you were from the south, made you greatly identify and appreciate everything spoken about on this exceptional release.





45. Reflection Eternal- Train Of Thought

When Rawkus was the most respected underground label in the game, there were three very, very special moments.  We just covered one in Pharoahe Monch's debut, Internal Affairs, another one is coming up, but this was another one.  Brooklyn emcee de force Taleb Kweli is very well known for being among the most intelligent and thought provoking lyricists of our generation.  Along with Cincinnati's ow production juggernaut, Hi-Tek, they came together to become Reflection Eternal and they presented a memorable debut with Train Of Thought.  Cuts like "The Blast", "Good Mourning", and "African Dream" are some of the most refreshing pieces of art of our time. This album was a true example of artistic, against the grain hip-hop.  A magical duo, this project still is remembered as a classic in many circles.



44. Rah Digga- Dirty Harriet

Talk about a forceful debut album.  Flip mode's first lady, Rah Digga, delivered a sick debut with Dirty Harriet.  From the THUNDEROUS intro to her crazy cut with Premo "Lessons Of Today" and the Nottz-Crafted "What's Up With That", this was the most impactful debut from a female in the game in years, and proved that there was more than enough room for her in hip-hop.  Still considered among the most feared lyricists in all the game, this gold-selling debut dominated the year of 2000. This was for the mean-mugging g's and the ladies with the timb boots and doo rags.



43. Eminem- The Slim Shady LP

Nobody grabbed the hip-hop world by the throat quite like Marshall Mathers did in '99.  Here's this bleached-blonde, blue eyed emcee that was an animal.  It was announced that he was signed to Dr. Dre's Aftermath Records.  From there, we waited with anxiety to see how this zany and somewhat deranged yet extremely talented lyricist would hold up, and with The Slim Shady LP, we got our answer.  From the quirky "My Name Is" to the vicious "Just Don't Give A Fuck" and the maniacal "Bonnie & Clyde", it ws clear we had a new megastar, plus over eight million units sold verified that claim.  The world would never be the same.



42. Deltron 3030- Deltron 3030

This collaboration between the Gorillaz' producer Dan The Automator and longtime west coast vet and Hieroglyphics member Del The Funky Homosapien was something never before heard in hip-hop.  This was a sci-fi movie on wax.  An original concept if there was ever one, these two presented a fascinating hip-hop record that still stands the test of time to this day.  Cuts like "Mastermind", "3030", and "Virus" were such original joints from an even more original album.  It's a shame more album can't be this creative in hip-hop.



41. Main Source- Breaking Atoms

Queens emcee/producer Large Professor and Canadian Djs K-Cut and Sir Scratch combined their talents to become one of the most unheralded groups to be heard in the early nineties.  In spite of the fact that they had two incredible singles in "Looking At The Front Door" and "Faking The Funk", plus dropped the cut that became synonymous as Nas' eponymous debut "Live At The BBQ", their debut isn't considered in the same class as albums like The Low End Theory, Illmatic, and De La Soul Is Dead, and truthfully it needs to be.  This is a knockout debut album and to those that spent their hard earned fifteen dollars knew in unison, this was an undisputed classic.



40. KRS-One- Return of the Boom Bap

There's no way possible I'm doing a greatest debuts list and not include the Blastmaster in here.  His first solo album post-BDP, Return of the Boom Bap , was just that: a return to the hardcore, back to basics approach to hip-hop.  Many consider this his magnum opus as a solo artist officially, and it's not hard to see why.  There's banger after banger after banger on this one with some of the most nuts production of his career to rhyme over.  His seminal fuck-the-police anthems "Sound Of Da Police" and "Black Cop", along with fantastic cuts like "Mad Crew" and the bananas title track stamp this unforgettable album that showed that even without the BDP label, Knowledge still Reigned Supreme!



39. MF Doom- Operation Doomsday

The almighty supervillain himself dropped an album at its most unorthodox brilliance.  Resurfacing after a very lengthy absence mourning the death of his brother when they were a part of KMD, he became a metal-faced anti-hero for the rap game.  This was his official return and is seen as a benchmark in the underground.  Complex rhymes met up with intriguing production mostly from Doom himself.  As time went on, this became an album to be treasured for being different and original, a formula we rarely see anymore these days.



38. Kool G. Rap & DJ Polo- Road To The Riches

One of the most influential emcees in the game to thios day is longtime Queens vet and former Juice Crew member Kool G. Rap.  One of the true innovators of mafioso rap, KGR debuted with this crime-ridden, bleak storytelling classic, Road To The Riches.  Known for the piano-laced title track, "Poison" and "Men At Work", this album marked the start of a successful and acclaimed career.  Never had a raspy, lisp rhymer been so cool to hear.  Without him, there would likely be no Scarface, Biggie, AZ, or Raekwon.  Think about that.



37. Black Star- Mos Def & Talib Kweli are Black Star

Seen as a dream team of sorts, the artist formerly known as Mos Def collaborated with Talib Kweli to present a simply dazzling album that stands as one of hip-hop's most conscious and intelligent albums to ever exist.  A throwback to when rap had meaning and a positive message yet keeping people Black culture awake, they purposely stayed away from hedonism, materialism, gangsta tones, and everything else that set us as a people backwards.  From the first single, the ol'school flavored "Definition" to other outstanding cuts like Def's reworking of Slick Rick's "Children's Story", "Twice Inna Lifetime" and "Brown Skin Lady", it's clear this album is truly special and deserves its place in the history of its genre.



36. Da Brat- Funkdafied

Chi-town's Da Brat was unlike anything seen in the game during her day.  A tomboy much like MC Lyte with the swag of Snoop Dogg and a potty mouth like Too Short.  She got up with Jermaine Dupri and delivered a tremendous debut.  Her debut, Funkdafied, was filled with mid-tempo grooves and laid-back funk to either ride to or get high to, or both.  Definitely laced with talent, this album was the first to go platinum from a female emcee, thus breaking down walls and barriers for the women of hip-hop.  This nine-song EP was nearly flawless and still gets heavy rotation to this day.




35. Ras Kass- Soul On Ice

If there was ever a lyrical warlord on the mic to emerge from the west, it's unquestionably Carson's Ras Kass.  This often times controversial emcee dropped one of the most impactful and much discussed debuts of the entire nineties with Soul On Ice.  Tackling subjects like organized religion, Caucasian history, street life, and other personal matters, this is one of the most intelligent, yet occasionally uncomfortable, hip-hop albums you'll ever come across.  While other albums like A.D.I.D.A.S., Spit Or Die, and his collab with searing Detroit producer Apollo Brown, Blasphemy, have been very impressive, this album remains his magnum opus and is an undisputed classic.



34. MC Lyte- Lyte As A Rock

All hail the b-girl of all b-girls.  The pioneering emcee from Brooklyn was the first female to release a full-length album, and Lyte As A Rock hit has hard as one, maybe even as a boulder.  There wasn't any filler on this groundbreaking release and is likely still the best album to ever come from a female emcee and served as the blueprint for all up-and-coming young ladies that wanted to pick up a mic.  Hits like "Paper Thin" and "10% Dis" are still staples within hip-hop and will never be erased away.



33. Capone-N-Noreaga- The War Report

In '97, we were introduced to two young cats outta Queens, one from Lefrak City and the other from the infamous Queensbridge.  They were known as Capone-N-Noreaga, and they had the streets wide open with their underground hits "Illegal Life" and "Stick You".  While the buzz was hot, they struck with one of the bloodiest and paranoid albums in hip-hop memory.  Their debut, The War Report, is among the most gritty and intimidating debuts you'll ever come from NYC.  Combining the harrowing production of classics like Mobb Deep's Hell On Earth with the brutality of Kool G. Rap's Live & Let Die, this is one album that became a phenomenon of its own.



32. Big Pun- Capital Punishment

If Biggie had a rival in terms of technical ability and the ability to verbally dissect a mic with a rotund physical size to match, it was Chris "Big Pun" Rios.  After lacing Fat Joe's excellent sophomore album Jealous One's Envy, and landing on the Soul In The Hole soundtrack, the anticipation was huge, and once he hit with "I Ain't A Playa", we knew this dude was amazing.  Seemingly, it was crossover smash with Joe, the remix to "I Ain't A Playa" that people noticed his pop appeal without sacrificing his street strength.  His debut is seen as one of the most impressive and formidable debuts to enter the game in the entire nineties.  The album, Captial Punishment, is not only a complete album, but it was superior, it marked the first time a Latino emcee would hit the platinum mark, much less make that double.  Sadly, it would be the only album he lived to see the benefits from, but rest assured, Pun and his debut were and still are one of a kind.



31. 50 Cent- Get Rich Or Die Tryin'

Was there a hotter debut in the millennium than this one?  Not hardly.  One of the most intriguing debuts of all-time was delivered by Curtis "50 Cent" Jackson, and it more than delivered.  Aside from having one of the most rotated singles in the entire world during this time of 2000 with "In Da Club" and still causing a stir with his monster hit "Wanksta", the album was enough to sell nearly a million units within its first week, ultimately selling nearly diamond status, making it one of the most successful hip-hop albums in history.  A star was born and ultimately made with this legendary release.



30. Ultramagnetic MCs- Critical Beatdown

A crew that doesn't get nearly the appreciation they deserve that emerged during the golden age of hip-hop was the Ultramagnetic MCs, captained by Kool Keith, but also included members Ced-Gee, TR Love, and DJ Moe Love.  These cats laid a groundwork for sampling on their album that hadn't been done before except for another act named De La Soul.  Their debut, Critical Beatdown, was ahead of its time in terms of lyrical structure and sampling techniques.  A true golden oldie, this album didn't get the classic status it was due until years later when people needed to catch up.  With cuts like "Watch Me Now", "Poppa Large", and "Ego Trippin", this was an album that got understood a lot better as time went along, but for its day, it was unappreciated monumental album.



29. Genius/GZA- Liquid Swords

When it came to lyrical technique and proper stylings and execution, GZA was the main one front and center of the Wu.  Considered an elder statesman of the group, this master chess player on the mic sliced and diced wack, unintelligent so-called emcees on his wonderful debut, Liquid Swords.  Coming out the same year as his Wu brother Raekwon dropped one of hip-hop's all-time seminal albums (see later), this was a tall task matching the intensity of it.  The thing is, he didn't have to.  This was arguably RZA's best constructed album production wise within his Wu camp.  Track after track blended into each other and was seen as the best produced Wu album since 36 Chambers (again see later).  He hammered heads with cuts like "Dual of the Iron Mic", "Gold", and "Living in the World Today", and was a intelligently crafted and manipulated album.



28. DMX- It's Dark & Hell Is Hot

Talk about a head-smasher.  From Yonkers, NY came an intimidating emcee that commanded your utmost attention and respect.  Earl "DMX" Simmons made his name a buzz in the streets on the incredible posse single from LL Cool J "4,3,2,1", but once his debut single "Get At Me Dog" hit the airwaves, the streets were wide open like they hadn't been in years.  His debut, It's Dark & Hell Is Hot, was a gritty collection of appealing, yet hardcore, cuts that ultimately sold in upwards of four million units.  He was as hot as any newcomer to come along in the Def Jam era, and with other bangers like "Damien" and "Crime Story", there was no doubt DMX was a star, and this was the album that birthed his star power.



27. Black Moon- Enta Da Stage

In '93, hip-hop was riding the west coast wave of Deathrow, 2Pac, and others, and that the east was still doing well with acts like Tribe, EPMD, and LL making noise.  However, there needed to be more ripples put in the game to bring the east back.  Enter Black Moon.  Two emcees and a DJ from Brooklyn uppercut the rap game with their knocking debut Enta Da Stage.  A quintessential NYC album, Black Moon was filled with tough guy talk and gritty narratives that started the era of the crew that was the Boot Camp Clik.  Very formidable and impactful debut.



26. The Game- The Documentary

When G-Unit was riding very high with albums from 50 and Lloyd Banks killing things at that time, eyes were getting set on a young Compton native known as The Game.  Signed with G-Unit but a protege of Dr. Dre, he quickly had the most anticipated west coast album in years, and it delivered even better than expected.  Setting the bar high with singles like "How We Do", Hate It Or Love It", and the Kanye-crafted "Dreams", this was poised to be a debut of huge proportions, and it was definitely that.  Tales of hustling, street life, shady women, and true life tales of getting shot, The Game became a star with over four million units sold, and thus began a fairly impressive, although at times controversial, career.



25. Mos Def- Black On Both Sides

Brooklyn emcee par excellence, Mos Def (now known as Yasiin Bey) had been highly revered in the underground and the very early Rawkus days.  After thoroughly impressing on albums such as Stakes Is High, Soundbombing, Lyricist Lounge Vol. 1, and Da Bush Babees' excellent, Gravity, it was time for Mos to finally get his solo shine (not to mention his collab album with Talib Kweli is among the best debuts to ever grace us...see earlier).  Open from the jump with the infectious, Ayatollah-blessed "Ms. Fat Booty", we knew the debut, Black On Both Sides, would be insane.  The album would end up being basically a modern day treasure.  With eclectic musical styles and live instrumentation mixed with profound musicianship and lyricism of his own, this album was as incredible as we knew it would be.  This was a long album but none of it contained any wasted space.  Against the grain from most stuff that was out at that time, this was a new blueprint for artistic hip-hop that could sell nearly platinum units.



24. Outkast- Southernplayalisticadillacmuzik

The rebirth of the South in the mainstream occurred when we saw the debut of Big Boi and Andre with their benchmark debut, Southernplayalisticadillacmuzik.  In spite of the heat they endured from New Yorkers when The Source Awards aired from there for winning Best New Artist, this legendary moment paved the way for what would become one of the most successful careers in modern music.  This album implored musical elements of funk and soul the likes of which made albums like Comin' Out Hard, Super Tight, and Til Death Do Us Part such acclaimed albums, but with a fresh sound to it.  Not to mention the chemistry between these two cats made them as potent of a duo as UGK, Eightball & MJG, and east coast counterparts like EPMD and Mobb Deep.  Needless to say, the South had officially arrived with this groundbreaking release.



23. Madvillain- Madvillainy

This millennium never had an album that would completely restructure the aesthetics and organic prowess of the underground quite like the collab between MF Doom and brilliant, yet grossly under-appreciated, producer Madlib, Madvillain.  Doom ad been already revered for his Operation Doomsday debut as well as his album under the Viktor Vaughn alias, Vaudeville Villain, and Madlib had been known for his work with Lootpack and with Tha Alkaholiks and the highly underrated Cali Agents, not to mention his own work under his Quasimoto alias for his left field debut, The Unseen.  Together, these two made magic and with cuts like "Figaro", "Fancy Cklown", and "All Caps", their debut, Madvillainy, became an album of legend and is considered one of alternative hip-hop's all-time treasures.



22. Scarface- Mr. Scarface Is Back

Brad Jordan is known as the godfather of the south to many a rapper south of the Mason-Dixon Line, and one of the best and influential emcees ever known, no matter your geographical presence.  Making his mark known in The Geto Boys, it was solo debut time, and this was every bit what we expected from Mr. Face.  This album blurred the line often times between wildly imaginative narratives and disturbing realities.  This man was manic, cold-hearted, and methodical, but this was an album you couldn't turn off even if you tried.  Utterly violent and macabre, Mr. Scarface Is Back is brutal but marked the beginning of a legendary career.  Many call themselves "king" of the south, but all so-called "kings" bow down to the father of the south. This was the album that started it all.



21. Raekwon- Only Built 4 Cuban Linx...

When the conversation goes to "greatest Wu solo album", the unanimous verdict is Raekwon's solo debut, Only Built 4 Cuban Linx...  Released during the rise of the mafiosos rap era, the chef delivered one of the most heraled and vivid albums to ever exist.  The grittiness of this album is off the page, and it follows its own formula of drugs, crime, and revenge that follows the path albums like Live & Let Die and Ready To Die laid before it.  Every track flowed easily into the next, and contained some of the best gems ever heard from the Wu camp such as the Nas-assisted "Verbal Intercourse", "Glaciers Of Ice", and "Guillotine".  With the exception of Ghost's beyond superb sophomore effort, Supreme Clientele, and GZA's aforementioned Liquid Swords, this is the best album to emerge from the Wu family that isn't named Enter The Wu-Tang (36 Chambers).  Although, it may be easily as influential.



20. EPMD- Strictly Business

In the late eighties, two Long Island natives came together to become one of the most influential acts in all of hip-hop, past or present.  Erick Sermon and Parrish "PMD" Smith were EPMD and their debut, Strictly Business, introduced a tag team that are like the Arn Anderson/Tully Blanchard (Google them if you're not familiar) of hip-hop.  One emcee was more style and flash, while being noticeably effective, and the other was straight to the point and in your face.  Their chemistry proved itself remarkable with an album that is still considered and revered as a classic.  



19. Jay-Z- Reasonable Doubt

The start of the emcee-turned-businessman Jay-Z started with this seminal release.  While artists like Nas, Biggie, and Jeru The Damaja were tearing up NYC, in came a protege of Jaz-O from Marcy, Brooklyn.  Say what you will about Jay, but this remains his crowning effort.  Released in the heart of the mafioso era (yet again), this album deals with street narratives, glamorizing money, a lavish lifestyle, and the crime-ridden tales from the block.  One of the strongest efforts ever recorded from a Brooklyn artist, this became the new benchmark for New York hip-hop, competing with thew likes of Illmatic and Ready To Die.  From heavy-hitting singles like "Ain't No Nigga" and "Can't Knock The Hustle" to street anthems like "D'Evils" and "Coming Of Age", this remains the quintessential Jay Hova album.  While The Blueprint comes the closest, and albums like The Black Album and Vol. 2: Hard Knock Life are viable contenders, nothing will top this monumental debut.



18. Brand Nubian- One For All

At the dawn of the nineties, a crew of four came on board with the anthemic "Slow Down" and a five-percenter ideological viewpoint that was captivating and thus they dropped their monumental debut, One For All.  The group of Grand Puba, Sadat X, DJ Alamo, and the ever controversial Lord Jamar presented highly intelligent, yet at times flammable, rhymes that mostly consisted of Black empowerment and street knowledge education.  This was a huge album during the era where Public Enemy, De La Soul, Jungle Brothers,and Tribe were making some of the most acclaimed music in the world.  Widely considered a classic, and very rightfully so, this album continues to be the group's most acclaimed and beloved album, in spite of decent follow-ups like In God We Trust and Foundation.



17. Eazy-E- Eazy Duz It

The late Compton icon himself, and founder of N.W.A., became a character all in himself.  Eazy-E heard the need for a solo album, and with Eazy Duz It, it was everything we knew it would be for everyone that copped Straight Outta Compton.  This album, while very street, also was more humorous, witty, and at times straight out hilarious.  Relentlessly funky and sampled, this album was subsequently an underground album, with no radio or TV playback or accessibility, in spite of "Eazy Duz It" and "We Want Eazy" being hot singles.  Videos came later for these cuts.  Selling nearly three million units, this became Eazy's finest hour.



16. De La Soul- 3 Feet High & Rising

Before the term 'hipster' was even thought about, these guys were the innovators of 'hipster rap'.  Their debut, 3 Feet High & Rising, broke all molds before it, and became one of the most critically iconic albums ever recorded in music overall.  With an earthy and uniquely aesthetic feel, this album was selected by the Library Of Congress to be included in the National Recording Registry, which is an astonishing honor in itself.  Compared to Pink Floyd's iconic album, Dark Side Of The Moon, 3 Feet High & Rising is a musical kaleidoscope.  A positive, yet occasionally quirky, release, they were seen as the "hippies" of hip-hop, and singles like "Me, Myself, & I", "Potholes In My Lawn" and the legendary posse cut with their fellow Native Tongues fam, "Buddy" only strengthen that label.  One of the most original hip-hop albums ever created, De La Soul remain legends to this day, and this was the album that launched them into our consciousness.



15. Kanye West- The College Dropout

During the late nineties/early millennium, besides Bad Boy, there wasn't a more in-demand label than Roc-A-Fella, headed by Jay-Z, Dame Dash, and Kareem "Biggs" Burke.  Fresh off his incredible production work on Roc projects like The Blueprint, Philadelphia Freeway, and The Truth, producer extraordinaire Kanye West had a deep down love to be an emcee, not just a producer.  He rolled the dice in 2004 with his debut single, the autobiographical "Through The Wire" and the results were captivating.  It was time to drop his highly anticipated debut album, The College Dropout.  This album marked a changing of the guard, as the album was the most acclaimed album out the Roc that wasn't The Blueprint or The Truth.  Some argue it's even better than those releases.  Amazing cuts like the religious ode "Jesus Walks", "Get 'Em High" with Common and Kweli, and the incredible "All Falls Down" showed his impressive artistic merit and with Grammys and over four million units sold.  This album marked the apex of what would become an eye-opening and legendary career.




14. A Tribe Called Quest- People's Instinctive Travels In The Paths Of Rhythm

Much like De La Soul's aforementioned 3 Feet High & Rising, this album was unlike the wave of hip-hop at that time. Three Queens kids delivered a very bohemian type of album that had never been introduced to hip-hop before.  A very relatable album, we saw the intriguing talent and charm of Q-Tip, and what we also saw were the playful antics of Jarobi, their DJ Ali Shaheed Muhammed, and a bright light known as Phife Dawg.  These four young men had a very fun debut called People's Instinctive Travels In The Paths Of Rhythm, which contained bits of jazz elements, but this was a kind of hip-hop that was the complete antithesis of the gangsta motif of N.W.A. and definitely not the crassness of 2 Live Crew, yet not quite the aggressive aura of Black empowerment like Public Enemy.  The clever stylings of "I Left My Wallet In El Segundo" and the insanely mellow love letter "Bonita Applebum" made this album a delightful treasure for one of music's most important and influential acts.




13. Kendrick Lamar- Good Kid, M.A.A.D. City

It's not often we hear comparisons to Nas in terms of lyrical ability, storytelling, and the prediction of being the most important emcee of the present generation.  In 2012, we got exposed to a young Compton native named Kendrick Lamar Duckworth on a more national, mainstream level.  He had ears bussing with his fantastic underground release, Section.80, but it when he was signed to Aftermath  and delivered his highly anticipated debut, Good Kid, M.A.A.D. City, that we knew these comparisons were very accurate.  A stellar debut in all areas, this was a tale about a young man trying to escape the brutality and struggles of the streets, but occasionally falling into the pitfalls that have him there in the first place.  While his next album defined a generation, this was the album that presented us with the excellence that is Kendrick and gets established as one of the most sincere debuts in recent memory.



12. Snoop Doggy Dogg- Doggystyle

With Dr. Dre riding to ultimately very influential levels with The Chronic (see later), his protege, Snoop Dogg, was building up a fanbase himself before even putting out an album.  The super talented Long Beach native was featured heavily on The Chronic, and had a HIGHLY anticipated debut in Doggystyle.  The result was an album that met and surpassed every expectation and is still his magnum opus to this day.  With anthems like "Gin & Juice", "Ain't No Fun" and "The Shiznit", this is Calvin Broadus' signature work and took Deathrow to even higher heights.  



11. Lauryn Hill- The Miseducation Of Lauryn Hill

One of the most celebrated and timeless debuts of our time belongs to a young Jersey native named Lauryn Hill.  Getting her fame from being with The Fugees and being the obvious show stealer, her anticipation for a debut reached climatic levels, and when the debut dropped, it simply took our breath away.  Sure, one could say half the album was already flooding radio such as cuts like "Lost Ones", "Ex Factor", Zion", and "Nothing Even Matters", but other incredible cuts like "Final Hour" and "When It Hurts So Bad" showed and expressed the aching heart and crying spirit of a woman trying to find relief from her tears through music.  Another album entered into the National Recording Registry for its influence and game-changing piece of art, Ms. Hill will forever be an icon, and how many people you know become a legend from only one album?  





10. Wu-Tang Clan- Enter The Wu-Tang (36 Chambers)

In the eighties, we had the Juice Crew, a collective of numerous emcees that, when together, were unstoppable.  Once they all went their separate ways, a void was left for a cohesive group that contained numerous talented cats in a virtual cipher.  We did have the Native Tongues, but then we were introduced to nine vicious emcees from Staten Island and Brooklyn, and did they tear apart the game as we knew it.  Known as the Wu-Tang Clan, the mic handlers of Method Man, Ghostface Killah, Raekwon, Masta Killa, Genius/GZA, RZA, U-God, Inspectah Deck, and the mighty Ol' Dirty Bastard introduced us to a fresh new style on their iconic debut, Enter The Wu-Tang (36 Chambers).  Armed with enough fire lyrics to cause numerous inferno to develop, each member had his own style and distinctive flow, but what put them over the top was the visceral, dusty basement production of RZA, which was as grimy and dirty as anything you would ever hear to this day.  Insane cuts like "Protect Ya Neck", "Da Mystery Of Chessboxin", "Clan In Da Front", and their smash single "C.R.E.A.M." put them into the world's radar, and the result was a platinum effort and a permanent place in hip-hop's consciousness as one of the most influential acts of all-time.



9. Ice Cube- AmeriKKKa's Most Wanted

Fresh from leaving N.W.A., the jheri-curled "nigga you love to hate" delivered a highly anticipated album that was as full of venom and full-forced adrenaline as any debut in history.  Getting up with Public Enemy's production crew, The Bomb Squad, his debut AmeriKKKa's Most Wanted was filled the same anger and passion that made him the lead lyricist of N.W.A.  Among the angriest releases ever recorded, Cube became an official star, as the album went platinum within a month's time, and solidified him as a force to be reckoned with.  There's no denying his follow-up Death Certificate, as well as other albums like Lethal Injection and The Predator, but it's his debut that remains his initial bomb upon the game, and we're so thankful for this eponymous album.



8. Slick Rick- The Great Adventures of Slick Rick

Ah, the golden age.  Arguably seen as the richest period ever in hip-hop.  This is time period between '88 and '92.  Only to be replicated by the period of '93-2000 of landmark hip-hop.  In '88, we got the debut album from the young British rapper by way of Bronx, NY previously known as MC Ricky D.  He, along with Doug E. Fresh, were responsible for one the most celebrated hip-hop singles of all-time in "The Show" as well as its B-side "Ladi Dadi".  Some three years later, we got blessed with his debut, The Great Adventures Of Slick Rick, a fun, innovative album that showcased above everything else his storytelling abilities that were second to none on legendary cuts like "Children's Story" and "Teacher Teacher".  Some of the funkiest cuts to ever grace our ears, courtesy of The Bomb Squad and Jam Master Jay, this is a groundbreaking album within hip-hop and should be greatly mentioned within the Hall Of Fame of hip-hop albums.



7. Dr. Dre- The Chronic

The definitive west coast album.  Never has there been an album to emerge from the left coast that has been more influential and integral to the sound of the west and would garner more accolades and respect from other parts of the nation as well.  An undisputed game-changer, Andre Young crafted the perfect album for the riders, partners, and smokers, not to mention the gangstas as well.  His debut, The Chronic, became the go-to album for the parties or the gang-banging mash ups.  Not to mention, this album introduced us to future stars like Snoop, RBX, Lady Of Rage, and Tha Dogg Pound.  Cuts like "Dre Day" "Let Me Ride" and "Nuthin' But A G Thang" are iconic anthems that will always be rotated as timeless cuts that epitomized gangsta shit.



6. Notorious B.I.G.- Ready To Die

Just when we thought nothing could match or come close to the epic masterpiece of Illmatic in '94, in comes Christopher Wallace.  This Brooklynite had the hood buzzing with his cuts "Dreams" and "Party & Bullshit", but it was his legendary rags-to-riches tale "Juicy" that had everybody open from the jump.  Once we copped his debut album, Ready To Die, we were experiencing greatness right before our ears.  Regarded as the only album that made people take Illmatic out their Sony Discman players, this album was riddled with violent themes and vivid storytelling.  Not to mention Biggie's astounding lyrical presence.  He hit number one with "Big Poppa" and the remix to "One More Chance", thus establishing his stardom.  His debut ultimately sold platinum units and Brooklyn had its newest powerhouse.



5. Beastie Boys- Licensed To Ill

Three Jeweish New Yorkers forever shook the game up with this groundbreaking debut album, Licensed To Ill.  First introduced to the game with the hot single "Hold It Now, Hit It", then followed up with "The New Style" and "Paul Revere" to have us be exposed to these three zany punk rock hip-hop kids.  Don't get it twisted, just because they were attracting a largely White audience doesn't mean they weren't trying to get solified within the Black community as well.  The album was half rock-rap and the other half was straight boom-bap.  This was one of the ultimate party rap albums of the eighties and was very fitting for Ad-Rock, Mike D, and the late MCA.  Did I mention they performed their own instruments as well?  This album paved the way for White emcees such as Eminem, Cage, Apathy, Aesop Rock, and R.A. The Rugged Man, and this album proved it had room for the White boys too.



4. N.W.A. Straight Outta Compton

The album that brought the west coast into mega-stardom.  Regarded as the most controversial album of all-time, this album shattered ceilings, really pushed the envelope of the First Amendment, and established them as "the world's most dangerous group".  Five young men from a relatively unknown city from California called Compton was placed on the map thanks to this landmark release.  The guys of Dr. Dre, Eazy-E, Ice Cube, MC Ren, and DJ Yella shook up the middle and upper class, but the suburbs were as intrigued as we were in the hood.  Addressing topics that were typically hidden like crime life and police brutality at that time of '89, this made Whites and uppity Blacks blush profusely.  Thanks to the riot-inducing anthem "Fuck The Police", a F.B.I. letter was sent to them letting them know how much they didn't appreciate their stance on the blue squad.  We haven't had anything like that since.  Selling upwards of three million units, this is one of the single most powerful debuts to ever exist in any genre.



3. Eric B & Rakim- Paid In Full

There was nothing or nobody like Rakim Allah.  His commanding voice and his knack for intelligent rhymes that were cuss-free had the hip-hop game checking for him in a major way.  Tag teaming with his DJ, Eric B, they presented Paid In Full, and was the album that unofficially introduced the golden age into the mainstream.  Anthem after anthem after anthem were prevalent on this album.  There were so many quotable it became innumerable to keep up with them all.  He became the most influential emcee to ever exist lyrically and this was the genesis of the legacy of this icon in hip-hop.



2. Run-DMC- Run-DMC

Quite frankly folks, there would be no mainstream or worldwide success of hip-hop without Run, DMC, and the late Jam Master Jay.  Period.  End of story.  This was the album that started it all.  The "kings of rock" became the face of effective crossover hip-hop, and we couldn't be more proud of them.  An album that goes beyond the title of legendary or iconic, this was the album that practically started hip-hop, and to these Rock & Roll Hall Of Famers, we will forever salute you.  Long live JMJ.



1. Nas- Illmatic

Do I need to say anything else.  It's Illmatic for God's sake.  The only album to have classes taught on it, a book dissecting it, and a documentary showing the creation of it.  No other hip-hop album has influenced more emcees and artists period than Nas' breakout debut.  Even rivals like Biggie and Jay-Z were heavily inspired by the magic that was Illmatic.  In terms of debuts, this is the genuine article.  The greatest debut to ever be heard by anyone.  This is hip-hop at its perfection.  Poetry and insight mixed with introspection and the desire to be great.  No other album changed the landscape of hip-hop from a debut album quite like this did.  Run-DMC's debut brought hip-hop to the world as a whole, but Illmatic brought the simplistic of hip-hop back in timeless fashion.  Lives have been changed by this album, and this album stands alone as the greatest debut in the recorded history of rap music.

Honorable Mentions

Big Daddy Kane- Long Live The Kane
LL Cool J- Radio
Jungle Brothers- Straight Out The Jungle
Pharoahe Monch- Internal Affairs
Boogie Down Productions- Criminal Minded
O.C.- Word...Life
Young Jeezy- Let's Get It: Thug Motivation
Busta Rhymes- The Coming
Beanie Sigel- The Truth
Puff Daddy & The Family- No Way Out
Black Rob- Life Story
Smif-N-Wessun- Dah Shinin'
Yo-Yo- Make Way For The Motherload
Too $hort- Born To Mack
Das EFX- Dead Serious
Young Buck- Straight Outta Cashville
Styles P- A Gangster & A Gentleman
Lupe Fiasco- Lupe FIasco's Food & Liquor
The Pharcyde- Bizarre Ryde II Tha Pharcyde
Showbiz & AG- Runaway Slave
Cypress Hill- Cypress Hill
Method Man & Redman- Blackout
Big L- Lifestyles Uv Tha Poor & Dangerous
Rapsody- The Idea Of Beautiful
Casual- Fear Itself
Quasimoto- The Unseen
Ghostface Killah- Ironman
Heavy D & The Boyz- Livin' Large
Blaq Poet- The Blaqprint
Screwball- Y2K
Souls Of Mischief- '93 Til Infinity
DJ Quik- Safe & Sound
Logic- Under Pressure
Big K.R.I.T.- Live From The Underground
Bun B- Trill
Bone Thugs N Harmony- Creepin' On Ah Come Up
Earl Sweatshirt- Doris
Company Flow- Funcrusher Plus
El-P- Fantastic Damage
Tha Dogg Pound- Dogg Food
Cannibal Ox- The Cold Vein
Killarmy- Silent Weapons For Quiet Wars
Naughty By Nature- Naughty By Nature
Drake- Thank Me Later
Vince Staples- Summertime '06
dead prez- let's get free
Random Axe- Random Axe
Little Brother- The Listening
Taleb Kweli- Quality
Above The Law- Livin' Like Hustlas
Spice 1- Spice 1
Pete Rock- Soul Survivor
Black Sheep- A Wolf In Sheep's Clothing
Immortal Technique- Revolutionary Vol. 1
Chino XL- Here To Save You All


As  you can tell, there are great amounts of exceptional debut albums we've been Blessed to hear.  Most on the list have been game changers and have been highly influential in years to come.  Don't worry, just because you didn't see your album on the top fifty list doesn't mean the album wasn't substantial.  Thus the reason for th honorable mentions list.  In fact, many on the list were very strong, viable contenders to be on the list.  Perhaps oversight or just plain forgetfulness excluded them from the immediate list, but this shows there's still lots of love for them.  Until next time folks, keep in a thousand.