Thursday, April 28, 2016

Enter The Boot Camp Show: The Best Boot Camp Click Albums Ever



What's good one and all?!  This post will be looking at the most under-appreciated crew perhaps in the entire game, the Boot Camp Clik.  Seen as the underground Wu-Tang, this collective of nine were and are rather dope emcees.  The collective consisted of Buckshot, 5FT, Smif-N-Wessun, Heltah Skeletal, and OGC.  Each group or act has contributed greatly to the game of hip-hop with superb releases and an authentic rough, rugged, and in-your-face style that was so New York.  There have been MANY discussions over the greatest Wu albums ever recorded, but what about BCC?  Well, ;et's get into it shall we?



15. Boot Camp Clik- For The People

Heads were clamoring for a group album from all the members of the Clik, and we got our wish in '97, with their debut group album, For The People.  While not the classic we were expecting, it was still a decent album to which we were able to see a group dynamic that was very cohesive and it blended.  That's not to say there wasn't some heat on here either, as cuts like "Illa Noyz", "Go For Yours", and especially the dark sounding, acrylic drum thump of "Ohkedoke".  This was a slept-on album, but became, as a group, their highest selling album.



14. Health Skeletal- Magnum Force

One of the most lyrically dangerous duos in hip-hop during this time was Ruck (later known as Sean Price) and Rock (aka Da Rockness Monsta).  Their incredible debut album, Nocturnal, introduced us to the bizarre, yet highly intriguing world of Rockness and Tawl Sean.  This was the sophomore album to it, and it was met with mixed reviews, as many were looking for this to be Nocturnal 2.  However, abandoning the sound that was gritty and in-your-face, they went to a more polished, leaner sound in production and it was hit or miss for them.  However, the album did generate the RIOTOUS classic, "I Ain't Havin' That", which shattered windows overtime it was played.  



13. Cocoa Brovaz- The Rude Awakening

When they were at odds with the Smith & Wesson gun company, plus at odds with their prior label, Nervous Records, they were known as Cocoa Brovaz.  Their long awaited second effort to follow-up their classic debut Dah Shinin was met with lukewarm reception, but overall it was dope.  The chemistry was still there and Tek and Steele sounded refreshed and revived on tracks like the hot "Back 2 Life", "Bucktown USA", and the strong cut from the Soul In The Hole soundtrack, "Won On Won".  While it was no Shinin', this was still dope in its own right.



12. Boot Camp Clik- The Chosen Few

With in-fighting going on within the crew, and being without member Rock due to the internal conflicts, they delivered their sophomore group effort, The Chosen Few.  Although it didn't sound the same without Rockness, they did an honorable job, as evidenced on cuts like "And So", "Think Back", and the ode to baby daddies "Daddy Wanna".  With production from the likes of The Alchemist, Hi-Tek, and them reuniting with Da Beatminerz, this was a mild step up from the previous album.  Had Rock been there, this would've been a very complete album.



11. Health Skeletal- D.I.R.T. (Da incredible Rap Team)

AH! It was awesome to see the self-professed "power forward and the center" reunite after being apart for eleven years.  As usual, their competitive style had them both bringing the A-games on every single track.  Although the album cover was among the worst in recent history, the album quality sounded almost as fresh as their debut, with a renewed vigor that they were seemingly missing on Magnum Force.  Standout cuts included the first single, the DOPE "Everything SI Heltah Skeletal", "Insane", and the reworking of the Goldust entrance theme "That's Incredible".  This was a very good thing, and the album reflected their excellent return.



10. Boot Camp Clik- The Last Stand

This is what their debut group album should've sounded like.  This was such a fantastic album that it's still considered among the best in the entire discography of BCC and Duck Down.  The group sounded right again with Rock's return, and over some thunderous production from 9th Wonder, Da Beatminerz, Pete Rock, and Large Pro, they sounded like they still had something to prove, and we're glad they did.



9. Sean Price- Monkey Barz

This was the album that started Sean P's ascending into modern legend-like status within the game.  His official solo debut was highly anticipated and didn't disappoint whatsoever.  Lyrically, this was just balls out sick.  P's delivery and witty rhyme schemes put him on your favorite rapper's favorite rapper lists.  Blistering tracks provided by 9th Wonder, Khrysis, Ayatollah, and PF Cutin among others, this remains among the most rotated albums going today from anyone from Duck Down and the BCC.  How bananas were cuts like "Boom Bye Yea", "Onion Head", and "Bye Bye"?



8. Buckshot & 9th Wonder- Chemistry

Buckshot wasn't known for many solo albums, as his BDI Thug wasn't the best thing out the BCC.  However, when he got up with producer extraordinaire 9th Wonder, the album that resulted was nothing short of fantastic.  Not a long player album necessarily, this was a non-filler album, as everything on the album was bangin' and was among many year-end lists in peoples top three or higher.  This became one of the most celebrated releases to emerge out the BCC.



7. Black Moon- Warzone

We thought we would practically never see another Black Moon effort.  It had been six years since we had anything from Buck, 5FT, and DJ Evil Dee, when they dropped the seminal Enta Da Stage.  When they did return, they were having label issues, much like Smif-N-Wessun did at Nervous.  Once it all got cleared, it was on, and MAN were the results thunderous.  Their follow-up to Enta Da Stage was Warzone, and after the somewhat mediocre releases the Boot Camp were releasing during this time, this slammed everyone on their asses and reminded people why Black Moon became a part of the east coast's consciousness when the west taking over in '92.  There's not a flaw on here..NONE.  This is so quintessential BM and still rocks out as crazy as it did in '99.  



6. Sean Price- Jesus Price Superstar

With P's second album, Jesus Price Superstar, the legend was growing with him.  Although it was tough to follow up his solo debut, Monkey Barz, he did so and did so with serious impact.  Primarily handled by 9th and Khrysis in terms of boardwalk, Price shows off his usual taste of tough guy talk with oft-times witty lyricism.  Unquestionably one of the coldest albums to emerge in an otherwise docile year in hip-hop in 2007, Price officially became among the nicest emcees that isn't considered mainstream.  An album filled with rewindable quotable and searing production, P's legacy was growing and growing.



5. OGC- Da Storm

Perhaps the most underrated of the BCC is the trio known as Origenoo Gunn Clappaz, or OGC.  First showing up on Smif-N-Wessun's Dah Shinin' then becoming part of the Fab 5 with Heltah Skeltah, it was clear that Starang Wondah, Top Dogg, and Louisville Sluggah were talented, and with their debut, they proved they can hold their own weight.  A banger from start to finish, this doesn't get the acclaim and notoriety it deserves, as these cats put it down over some KNOCKING production from Da Beatminerz.  Nobody can dare front on cuts like "Hurricane Starang", "No Fear", and "Elite Fleet".  This album simply brought the thunder and the lightning!



4. Heltah Skeletal- Nocturnal



What a big time debut!  First appearing on Smif-N-Wessun's Dah Shinin' (much like OGC), the thunderous bass voice that's reminiscent of Flipmode's Lord Have Mercy only even more lyrical stood out along with this other sick lyrical dude the world would come to know as Sean Price.  While fully knowing them on the simply fire "Lefleur Leflah Eshskoshka" with OGC as The Fab 5.  The anticipation was building when we first heard the street single "Letha Brainz Blo", but it was when we heard "Operation Lockdown" when we knew this album was go hard, and boy did it!  From the very ominous intro cut "Here We Come" to the hypnotic "Understand" and the brutal "The Square", this was the awning of hip-hop's newest monstrous tag team.


3. Sean Price- Mic Tyson


The final full-length album from Sean P was 2014's insane Mic Tyson.  The most highly anticipated album from the BCC at this time, likewise of his career, this met every expectation possible.  In the shadows of his mixtape preceding it such as Kimbo Price and Master P, this was vicious, rugged, and incredulously lyrical.  Arguably his most cohesive project to date, this album was even more of an elevation from Monkey Barz to Jesus Price Superstar to this album.  With production from Khrysis, The Alchemist, and others, this was among the year's most hard-hitting releases, and showed the world why, in spite his proclamation of being "the brokest rapper you know", his star appeal had never been brighter.



2. Smif-N-Wessun- Dah Shinin'

Many couldn't even comprehend matching the intensity and power that Black Moon's debut dripped of, however two young cats from Brooklyn that impressed us on Enta Da Stage got their shine, and we were completely glad they did.  From the jazzy sax loop drop from the opening notes of their seminal classic "Bucktown", we knew were in for something special.  Then, the drums hit.  INSTANT CLASSIC.  It didn't end there by no means, as other singles like "Wreckonize", "Let's Git It On", and "Sound Bwoy Burial" made their debut album a must-have.  Proclaimed as one of the hardest albums to emerge from NYC at that time, Tek and Steele earned themselves a following that remains faithful to this day.  Although they've released other albums such as the aforementioned Rude Awakening, the slept-on Smif-N-Wessun Reloaded, the unreleased Rawkus album, Still Shining', and their ill collaboration with Pete Rock, Monumental, but this remains their magnum opus.  Other cuts like "PNC", "Wipe Ya Mouf", the excellent posse cut "Session At the Doghille", and the haunting sounds of "Hellucination", thus officially establishing a new dent in hip-hop duos.



1. Black Moon- Enta Da Stage

Was there any doubt?  This album was considered a huge influence in the reformation in the east coast sound in the early nineties that was dominated by Dr. Dre and Deathrow Records out west.  You can literally smell the gun smoke in the air and see chalk outlines in your minds after listening to this album.  From the first time we heard "Who Got The Props" and we heard an animated teenager named Buckshot Shorty going for his, we knew this was dope, like real dope, but could they follow this up?  The answer was in followed up cuts like "Buck Em Down", "I Gotcha Opin", and "How Many MCs", in which we knew this was the next shit for NYC.  The album was riotous, fist pumping, guns in the air hard, and the dusty timbs-sounding production from Da Beatminerz complimented the lyrical assault from Buckshot and cohort 5FT Da Accelerator.  Still considered a classic in many circles, this album marked the beginning of the Duck Down/BCC era.

As you can see, BCC is a very important crew in the game.  While not as worldwide known as the Wu, they commanded respect just as much them or even another highly under-appreciated crew, D.I.T.C.  When it came to hardcore, straight no chaser NYC hip-hop, the BCC were as on top of things as any other faction or talent out there.  In the wake of the sudden and saddening passing of Sean P, it would be beyond awesome to have the crew together for one last album in his memory, or even release the much rumored Simply FABulous album with Heltah Skeletal and OGC as The Fab 5.  In any event, the BCC remains respected and needs to be mentioned as one of the most influential crews to emerge during the nineties and early millennium.  Salute to the BCC.  Worldwide Boot Camp Clik til they DOA!

Tuesday, April 26, 2016

Where Dey At Tho?: The Best Unreleased Albums (that you can still find)



What's good folks!  Glad to see you once again.  I've definitely been getting a LOT of feedback with my most recent list of the top albums of the past fifteen years.  Keep it coming.  However, this particular list is a little different.  There are albums that we've been waiting on and waiting on, but due to likely label politics or artist fallout, these albums were completed, but never released to the general public.  These albums could've been career milestones for some of these artists, but you can still find them on various torrent sites or the like.  Without further a due, let's get started.



Joe Budden- The Growth

He was one of Def Jam's most promising new acts in the early part of the millennium, but due to problems with the label, he was dropped after his self-titled debut album.  However, he was in the process of delivering his sophomore album for them, The Growth.  This album, based on the few leaked songs, sounds like it could've been a tremendous album for him.  Cuts like "Outcast", "Serious", and the dramatic "Dumb Out" (which would later appear on one of his Mood Muzik mixtapes) were steps up from his debut.  Although it was somewhat of a bummer that he left, he ended up making music that reemphasized his excellent lyrical abilities with albums like Padded Room and his most recent triumph, All Love Lost.  



Ol' Dirty Bastard- A Son Unique

The late ODB was one of the most fascinating characters in all of hip-hop.  While on the surface, he was seen as an off the wall, unorthodox figure that was a part of one of the most influential groups in hip-hop history, the almighty Wu-Tang Clan, he was actually just as much an emcee, like a for real emcee.  There was most times a method behind his madness, and we saw that with his still much talked about debut album, Return To the 36 Chambers: The Dirty Version.  He followed it up with the witty, yet dope, Nigga Please.  This was his supposed to be his Roc-A-Fella debut, but due to turmoil within the company, the album was left to Dame Dash for his troubled label, Dame Dash Music Group.  Understand this, there was HEAT on here like the Raekwon, Meth, and Macy Gray-assisted "Intoxicated" and the collab with M.O.P.- "Pop Shots".  God Bless the late Big Baby Jesus!



Ali Vegas- Generation Gap

At the end of the nineties, there was an upstart teen from Queens that had the streets OPEN.  His name was Ali Vegas, and he was known for his FIRE cut off the soundtrack for the movie In Too Deep.  From there, anticipation had build for this protege of the famed duo Trackmasters for his debut, Generation Gap.  Billed as "baby Nas", this cat had all it took to live up to that title with insane cuts like "Narcotics", "Lyrics & Melody", and "Bullets Bust By".  In every aspect, this would've been a classic that we would've been bumping for many years to come.  This was later released as a mixtape, but imagine this as a full length album being released when it was supposed to.  



Call O' Da Wild- Straight Out The Wilderness

OMG!!!!  These two Manhattan cats known as Call O' Da Wild (consisting of Barron Ricks and Angelo Capanioni) were a duo from the Cypress Hill camp.  First making their appearance on the Bad Boys soundtrack with the very ominous "Clouds Of Smoke", then being followed by their appearance on DJ Muggs' first Soul Assassins album with the standout track "New York Undercover", they became a talked about duo and their debut was highly awaited.  Due to Sony thinking thinking there were no radio singles, they shelved this lost treasure.  This was practically a flawless album, filled with zoned out lyrics and some of the best boardwork you'll hear from Muggs, Sean C & LV and The Alchemist.  If you can find this album, you WON'T be disappointed in the slightest.



Mobb Deep- Murda Muzik (original version)

If it was at all possible to have the Mobb's third album, Murda Muzik, be any better than it was when it was released, it was actually a legit claim.  Due to excessive bootlegging, this album had songs like the haunting "Perfect Plot", the incredible "Nobody Likes Me", and the sinister-sounding Prodigy solo cut "Power Rap" were replaced with the Nas-assisted "It's Mine" and the Raekwon-assisted "Can't Fuck Wit", which weren't bad cuts whatsoever. However, compared to other menacing cuts like the Onyx-assisted "QB Meets South Suicide", "Pyramid Points", and "Thrill Me", this would've been yet another QB masterpiece.



Nas- I Am...The Autobiography (original double album version)

To say this would've been the new hip-hop standard during it's time of '97-'99 would've been an understatement.  The original version of Nas' third album, I Am, was scheduled to be a double album, in which we see his life from birth through death and then into the afterlife.  Once again, this album became doomed to the bootlegging demon, with cuts such as "Amongst Kings", the intense "Drunk By Myself", and the vivid "My Worst Enemy" being dropped from the album, only for them to resurface on other albums such as The Lost Tapes and Nastradamus.  There are no complaints about the final retail version of I Am, as it's the most under-appreciated Nas album within his entire discography.  However, if the original plans of the double album were to have stuck, this would've been among hip-hop's greatest efforts, bar none.



Last Emperor- Legend Of Bigfoot

Philly rhyme animal, Last Emperor, was poised to be one of hip-hop's brightest new lyricists, with a distinctive flow and highly intelligent rhymes.  He was making enough buzz to where he caught the attention of the good Doctor and got signed to Aftermath.  As usual, it didn't work out and he then sent his talents to Rawkus to start recording his Rawkus debut.  Unfortunately for him, Rawkus shut its doors and he became an indie artist, releasing his debut retail album, Music, Magic, Myth to critical acclaim.  It was his much talked about proper debut, Legend Of Bigfoot, that heads were so highly anticipating.  An undisputed underground classic, this prodigious emcee had some simply incredible jewels like "Black Magic", the ode to the mighty ganjah "Legend Of Suzie Wong", "Mediatation" and the touching "Heaven". With work on this album from Da Beatminerz, Diamond, Prince Paul, DJ Muggs, and Ayatollah, this is a production prize.  It's not hard to find this album, and quite honestly, if you're a hip-hop head that values something fresh, conceptual, lyrical, and overall superb talent, this album is an absolute MUST.



50 Cent- Power of the Dollar

This was the album that started it all for "fiddy".  Under the same Trackmasters umbrella as aforementioned Ali Vegas, as well as Nature, This album was among the most anticipated albums in the streets due to his flammatory singles "How To Rob" and "Life's On The Line".  With guests such as UGK, N.O.R.E., and even Destiny's Child on the rather dope "Thug Love", this would've put 50 on the mainstream radar.  Due to troubles with Sony, the album was shelved but chances are, you have this album from your favorite bootlegger or a torrent site.  While many think Get Rich Or Die Tryin' was his debut, this folks was his OFFICIAL one, and it was an ill one.



Young Zee- Musical Meltdown

The Outsidaz are a CRAZY group of sick lyricists that can probably destroy most crews in hip-hop today.  We first heard of them in '96, as they ran with emcees like Rah Digga and a young Eminem.  One of their standout emcees was Young Zee.  The husband and baby daddy to Rah Digga, this cat is ZERO jokes on the mic, and his debut, Musical Meltdown, was sure to highlight that.  Going off the strength of "Everybody Get High", this debut was as gutter as you can imagine it would be.  Produced by Ski Beatz and KRS-One among others, this album is raw hip-hop.  It ended up getting re-released last year but had this been released during its time, this would've been a monster to this day.



Lord Have Mercy- Thee Ungodly Hour

If there was an NYC album more anticipated in the streets in '97, it was Flipmode's brutal bass, Lord Have Mercy.  While there wasn't really a weak chain within Flipmode, this may have been the MVP, at times outdoing the crew's leader Busta.  He hit the streets with the crazy hit "Home Sweet Home", which M.O.P. (who was already originally assisting on the track) ended up putting on their monster effort, Warriorz.  The album was not finished.  Only eight tracks were done and mastered, but if these eight joints were ANY indication of the ferocity of the album, this album would've SLAYED everything in its path, including fellow Flipmode members.  With Nottz, DJ Scratch, and Havoc reportedly behind the boards, this was a classic waiting to happen.  Speaking of Flipmode...



Rah Digga- Everything Is A Story

The first lady of Flipmode delivered one of the late nineties most checked for albums with her scorching debut, Dirty Harriet.  This gold-selling album marked a new leader when it came to women in hip-hop, as she commanded the mic and this Jersey native already had a Grammy under her belt due to her work on The Fugees' groundbreaking release The Score.  With Flipmode Records jumping ship from Elektra Records to J Records, the pressure was on for her to replicate the success and acclaim of her prior album, thus came Everything Is A Story.  We were already open with her version of Biggie's "Party & Bullshit", but sadly J Records decided to shelf the album.  The album floated around online and on torrent sites, and it was clear this album was another dope effort from Dirty Harriet herself.  While more upbeat and more accessible than her grimier debut, this was still a hot effort from one of the most feared lyricists, male or female, in the game.  Staying with Flipmode one last time...



Flipmode Squad- The Rulership Movement

HOLY GOD!!!  If you were able to get your mouse onto some tracks from Flipmode's much anticipated follow-up to their beyond nuts debut The Imperial, you found out that this album could've shut EVERYTHING down in 2002-03.  Based on cuts like "You Don't Want It" and the Slick Rick-featured "Hey Young World", this album would've been every bit as hard as their debut, literally every bit.  With reported production from Nottz, DJ Scratch, Da Beatminerz, Havoc, and others, one can only hope someone will leak the whole album at some point.



Q-Tip- Open

After Tip's mixed reviews with his debut solo album, Amplified, the pressure was on for him to be the Abstract Poet again, and his original follow-up was to be Open, instead of The Renaissance, which is a definitely all-time hip-hop classic.  This album was slated to drop in 2004, but due to ongoing beefs with Arista, his label at the time, this album, along with Kamaal The Abstract, were shelved.  While The Renaissance is without question, the album of his solo career, this album was almost as fantastic, as guests like Common, D'Angelo, and Andre 3000 bless the album and showed why he's one of the most important artists in hip-hop's history.



Ras Kass- Van Gogh

Ras Kass is one of the most intelligent, yet ferocious, emcees to ever appear on the mic.  His debut album, Soul On Ice, is still regarded as one of hip-hop's most incredible albums ever.  However, his follow-up album, Rasassination, didn't fare as well.  lyrically, he was still a beast of an emcee, but with off and on production (more so than even his debut) and a lack in focus, this wasn't the same.  What Ras was missing was consistent, engaging production, and he firmly got that in his third effort, Van Gogh.  Problems with Priority Records caused this album and his next album, Golden Chyld, to both be canned.  This album featured very dope production from the likes of Battlecat, DJ Khalyl, and others and would've been THAT album for him to officially become a mainstream star.  Don't believe me, peep "Understandable Smooth Shit" or even the title track.  Staying with Ras...



Ras Kass- Golden Chyld

The aforementioned Golden Chyld knocked every bit as hard as Van Gogh.  With production from Dr. Dre, Hi-Tek, Khalyl, Rick Rock, and more, this was an excellent follow-up to Van Gogh, and still showed he was among the most revered lyricists of our time. Being assisted by Busta Rhymes and Pharoahe Monch doesn't hurt at all either. The Premo-blessed title track, by the way, is SLAPS!!!!



King Tee- Thy Kingdom Come

Compton vet King Tee had been known for west coast heaters like The Triflin Album and At Your Own Risk, but when it was announced he would become an Aftermath artist, heads were eagerly awaiting his Aftermath debut, Thy Kingdom Come.  This was sure to be his much overdue venture into commercial success, with boardwork from Dre, Quik, Battlecat, Rick Rock, and others.  As is the case with most Aftermath artists, the album was shelved tragically, as this was a monstrous album and would've officially solidified Tee as a legend.  Thanks, Dre.  This leads me into...



Hittman- Murda Weapon

Making lots of noise on Dre's 2001 album, people were wondering if would be the new west coast protege of Dre.  The answer became a 'NO', as he vaulted Hittman's debut, Murda Weapon.  You can find this one floating around, as this wasn't a bad album.  Was it an Aftermath classic in the making? I wouldn't say so, but did it deserve some shine regardless? Hell yeah.



Bishop Lamont- The Reformation

Another Aftermath up-and-comer shelved.  Ridiculous.  While the aforementioned Hittman had a decent album, this particular album was BONKERS.  Lamont had heater after heater after heater on here with cuts like the important, funked out "Grow Up", the Xzibit-featured "Hallelujah", and the AMAZING Hi-Tek-crafted "Friends" that showcased his nice lyrical muscles over some of the craziest production one will hear.  We hope one day to hear the return of Bishop Lamont on a mainstream level.



Dr. Dre- Detox

The most anticipated album for over fourteen years was Dr. Dre's Detox.  We were always constantly teased with it...like CONSTANTLY.  We finally had a brief taste of Detox life when the joints "I Need A Doctor" and the Akon-assisted "Kush" hit the airwaves.  With other cuts like the Jay-Z-assisted "Under Pressure" and the Nas collab "Topless", we were looking more and more like we were finally getting our hands on it sooner than later.  All of the sudden, word hit that Detox was officially done and he didn't wanna put it out, thus the release of Compton, which according to him is "way better" than Detox.  Some bits of the album are floating around so if you're album to get the tracks from Detox, have at it.



Jane Doe- The Introduction

Straight outta BKNY came a feisty lyricist that was very dope named Jane Doe.  Known for her underground 12" called "Bisexual", this was an emcee to be heard.  Her debut album, The Introduction, never saw the light of day for some unfortunate reason, which was a shame because cuts like "Mountain Climbing" and "No More Tears" and an unnamed cut with Mobb Deep were all spitfire hot, and we could've seen the emergence of yet another femme fatale on a mainstream level.

Honorable Mentions

Foxy Brown- Ill Na Na 2: The Fever
Sunz Of Man- Nothing New Under The Sun
Charli Baltimore- Cold As Ice
Charli Baltimore- The Diary...You Think You Know
Black Child- Ghetto Gospel
Busta Rhymes- Blessed
Nas- Death Of Escobar


Obviously there are a lot more unreleased albums that we may never hear.  Albums like Slim The Mobster's G-Unit/Aftermath debut S.O.O.N., the original version of Stat Quo's Statlanta, and RZA's The Cure that are so guarded, there are NO leaks or no sign of them on torrent sites anywhere.  For now, have fun finding these lost and unreleased (commercially anyways) albums, and you'll find out just how much prized hip-hop we've been missing out on.  Until next time, One.

Wednesday, April 20, 2016

Best Hip-Hop Albums of Millennium (2000-2015)



What's the haps my good people?!  I'm almost done with my salutes for twentieth anniversary albums.  However, I wanted to take a brief break to touch on a new list.  This one will be TONS of fun.  You've seen my lists of best southern albums, west coast albums, disappointing albums, back albums, and even greatest of all-time lists.  This one will be consisting of the best albums to emerge since the start of the new millennium, which has been happening for the past fifteen years.  While many criticize this era in music for its wretchedness and, at times, wack-ass artists and albums, there are many, many albums that serve as reminders that there are far more quality acts and music than we realize or that we can to acknowledge.  We've had landmark, historic albums, as well as overall breakout albums and iconic releases that have merit and worth similar to eighties masterpieces like It Takes A Nation Of Millions..., Paid In Full, Strictly Business, and Run-DMC's Rasing Hell.  Likewise, in the nineties with defining albums such as Illmatic, The Chronic, The Low End Theory, The Diary, and Ready To Die.  The thousands' decade had many outstanding albums, as did the teens.  To make it a point to highlight the quality music that has been released, this list was made.  Keep in mind, this was HARD, I mean headache-inducing to see what would make the top one hundred and even in the honorable mentions.  Please, don't bitch me out for not including your favorite album (s) within this list.  Chances are, they're on it somewhere, but even if not, this is MY list.  Deal with it.  With that being said, let's begin.



100. The Underachievers- Indigoism

These cats of Izza Gold and AK burst upon the scene in 2014 with their debut mixtape called Indigoism, and this was a great debut.  Mixing elements of spirituality and ethereal theologies, these cats have since put out their albums of The Cellar Door and Evermore: The Art Of Duality and have continued to expand their fan base.  




99. Apathy- Eastern Philosophy

This DemiGodz member dropped a SICK album in 2006, that was as hard-hitting of a debut as you would find during this time period.  With an album filled with vicious, in-your-face lyrics, the Connecticut-native showed the underground that he got next and you better pay attention.  While later albums like Honkey Kong, Wanna Snuggle, and Connecticut Casual were all dope and held their own, this debut served as his meat and potatoes, and we saw that this young cat was a threat.



98. Pusha T- My Name Is My Name

The former Clipse member finally dropped his long-awaited solo debut on G.O.O.D. Music, and it was worth the wait.  Still flipping coke rhymes and hustla living, Pusha was secured with excellent production from Kanye, Swizz Beats, Pharrell, and Nottz among others, as well as plenty of guest spots from the likes of Kendrick Lamar, Chris Brown, Rick Ross, and others.  While we still wait on King Push (although his pre-album King Push: Darkest Before Dawn was a monster), this was a big time album who was ready for that solo stardom.



97. ScHoolboy Q- Oxymoron

When it was announced that TDE had signed been touted by Interscope, the two that got on board were Kendrick and ScHoolboy.  The artist, born Quincy Hanley, had made noise in the underground with his decent Habits & Contradictions album, but officially knocked it out with his major label debut, Oxymoron.  Achieving large amounts of radio play with cuts like "Man Of The Year", "Studio", and "Collard Greens" and it was enough for him to be nominated for a Grammy.  Don't get it confused: it deserved to be because the album was simply DOPE.  He'll be dropping his new album this year and it'll be intriguing to see if he can follow up that success.



96. Earl Sweatshirt- Doris

We were all either enamored or in sickening disbelief over the shocking brazenness of OFWGKTA, or Odd Future for short.  Led by Tyler The Creator, this collective had some bits of talent, albeit their shock value was more noted than anything else.  There was one true standout, however, in the youngest cat in the crew named Earl Sweatshirt.  He became the most anticipated member out the click that people wanted to see drop an album, and he definitely didn't disappoint.  His debut, Doris, was filled with density and poignancy, as we already knew it would be.  This was uncompromising and honest, that's what we tend to get from him.  This was even more apparent on his follow-up from last year, I Don't Like Shit, I Don't Go Outside.  With this album, this is where the seed of acclaim started to get reaped.  



95. Ludacris- Chicken & Beer

On this his forth album, Luda presented one of his most overall excellent albums in '03.  Supported by the anthems "P-Poppin", "Stand Up", and the bangin' "Blow It Out", this album went three times platinum and continued to elevate the worldwide stardom of Cris Bridges.  Not to mention, this album had the hardest album intro in years until last year's intro to his album Ludaversal.




94. J. Cole- Born Sinner

Following up his very promising debut, Cole World: The Sideline Story (see later), Fayetteville's Coley Cole delivered a formidable sophomore album, and eliminating any possible talk of sophomore jinx.  The Grammy nominated emcee went hard in the paint with cuts like the TLC-assisted "Crooked Smile", the wicked Kendrick collaborated "Forbidden Fruit" and his first single "Power Trip".  Recently certified platinum, Cole showed elevation and more insightful lyrics.  Just short of the amazing route of 2014 Forest Hills Drive (again see later), this was a great album that has several reasons to wear out the repeat button.



93. T.I.- Trap Muzik

In 2001, Tip Harris presented us with his debut, I'm Serious, which showed potential and enough talent to make people pay attention.  Not pleased with how his label handled the album, he came back a couple years later with his sophomore album, Trap Muzik, and man was it an improvement.  Many see this album as his true debut.  The album that put T.I. on the map with cuts like "Rubberband Man", "24's", and the cautionary "No More Talk".  With the multiple Grammy nods and platinum plaques he's earned since, it's not hard to see why many consider this his "real" debut.




92. Drake- Take Care

Say what you will, but Drake has emerged into one of the single biggest stars in all of hip-hop and in music for that matter.  Yeah, he's an emotional guy that's caught between wanting to settle down and wanting to sew those 6 god oats.  His debut, Thank Me Later, was a rather fly major label introduction to a brand new star in the making.  His sophomore album, Take Care, explores all the topics he covered in his debut and magnifies them.  Narcissism at times, introspective other times, Drake's expansion reached high levels and earned him a Grammy.



91. Lil' Wayne- Tha Carter III

Practically as polarizing an emcee as Drake, DeWayne Michael Carter was openly calling himself "the greatest rapper alive". When this juggernaut dropped, many couldn't blame him for asserting himself as such.  Far and away his greatest project in his over twenty year career, this album was LOADED with hits, and saw Wayne hit a high he hasn't regained since.  Lyrically, few were even touching him, and his star appeal was enough to hit platinum in a week.



90. Big Boi- Sir Lucious Leftfoot: The Son Of Chico Dusty

Antwan "Big Boi" Patton had a lot to live up to musically once Outkast broke up.  While he was a very formidable emcee, most perceived Andre as the crossover star.  Guess what folks? Dre has yet to drop an album as of this writing.  However, Big Boi dropped his debut, Sir Lucious Leftfoot, and MAN did it deliver.  This was an album that had that old Outkast funk and soul with a new millennium flair with it.  There were consistent pieces of greatness, including "General Patton", "Tangerine", and especially the fantastic lead single "Shutterbug", which resulted in one of the game's most prized possessions out the south to this day.



89. MF Doom as Viktor Vaughn- Vaudeville Villain

The wonderful, complex, and unorthodox world of Daniel Dumille, otherwise known as MF Doom, is filled with tons of intrigue.  In '99, after years of seclusion after the tragic death of his brother, he resurfaced with an entire new image, complete with a gladiator mask and an obsession with comic villains.  His debut, Operation Doomsday, was one of the perplexing, yet fascinating, albums to appear in the entire late nineties.  He, then, went on the adapt two other aliases: King Geedorah and Viktor Vaughn.  Under his Vaughn persona, he presented a very lyrically sharp and musically intrinsic project.  This featured none of his own production, but did include tracks from RJD2, King Honey, and others.  His stardom to becoming the god of the underground was coming.



88. Georgia Anne Maldrow- A Thoughtiverse Unmarred

Not since the likes of Lauryn Hill and Erykah Badu have we seen a sister so important for hip-hop culture and Blacks as a whole.  She may honestly be the best thing you've never fully heard, in spite of the fact that she's been in this game for over a decade.  Singer and poet-turned-emcee delivered her first rap album and blessed it tremendously.  Considered a hip-hop version of greats like Ella or Billie, this debut was a treasure to those who gave it a chance, and based upon her prior albums, we're just now catching up to her extraordinary talent.



87. T.I.- Urban Hustle

This follow-up to his prior album, Trap Muzik, improved even more than expected.  There was hit after hit after hit on this album.  Many have put this album among his best three albums ever, and with good reason.  Cuts like "U Don't Know Me", "ASAP" and "Bring Em Out" became anthems that were inescapable in the streets or the club.  With Urban Hustle, if you didn't believe it before, with this album, you knew he had officially arrived.



86. Jay-Z- The Black Album

This was originally supposed to be his "final" album.  The build was something to be warranted, and we legitimately thought it to be so.  Although it became false as he recorded five more albums to this day, this album was strong, like very strong.  While most maintain The Blueprint was his magnum opus along with Reasonable Doubt, this is easily considered among his top five albums.  Cohesive and complete, this was Hov circa early millennium with cuts like the 9th Wonder-blessed "Threat" and "Lucifer".  When mentioning great albums that got released in the early part of the millennium, this needs to be an album on everyone's mouth.



85. De La Soul- The Grind Date

When it comes to longevity, look no further than the revered legends of De La Soul.  Approaching their thirtieth year in the game, they dropped The Grind Date in '04 to much acclaim.  This was a very lean and speak album from them, bringing a back to basics approach to the album: cold lyrics, stinging beats.  Hip-hop's elder statesmen dropped tremendous cuts like the INCREDIBLE MF Doom-assisted "Rock Co.Kane Flow" and the Dilla-blessed "Much More" to show the younger cats, they haven't lost anything, in fact they got more of than most of y'all.



84. Oddisee- The Good Fight

Diamond District emcee/producer, Oddisee, has been grinding for the better part of a decade now, but last year's The Good Fight, was among the single best albums to drop all year.  Regarded as the Kanye of the underground (beat-wise), Odd made an album that defined the hustler's work towards being the best as what he does in such a relatable fashion.  Crafting some of the best production he has ever done, this cat won't remained slept on too much longer.



83. Ludacris- Theater Of The Mind

With all the excellent work Luda has done, Theater Of The Mind was by far his most complete body of work to date.  Lyrically, he was in superb form, and was ripping on unquestionably the best production he has ever rhymed over.  This was subsequently a combination of every album he has done.  We saw him party, get drunk, get high, get angry, and get introspective.  Through it all, Luda showed his ass on what has to be known and regarded as his best overall album.



82. Cage- Hell's Winter

Fresh from Orange County, NY came a very talented, albeit mentally problematic and addicted, emcee.  The former Smut Peddler member delivered his prodigious debut album, the very visual Movies For The Blind, to great reviews.  The drug-laced, depression-induced album was cause to have people be slightly concerned yet intrigued at the how talented this kid was.  He followed this up, however, with Hell's Winter, which was less about drugs and mysogany and more about anger issues and inner turmoil.  This stands as his best piece of work to this very day.



81. Murs- 3:16...The 9th Edition

Cali veteran, and Living Legends member, Murs experienced his first taste of overall critical acclaim with this album collab with producer extraordinaire 9th Wonder.  This was nothing short of an incredible album that demonstrating his honest and occasionally vivid rhymes.  Who can deny the epic "Walk Like A Man", as well as "The Rain", "And This Is For" and "The Animal"?  This album became known as a classic, as it got even more appreciated through time, as Murs & 9th became the next best thing to Pete Rock & Cl Smooth.



80. Kanye West- My Beautiful Dark Twisted Fantasy

After going lots of heartbreak with the loss of his mother and facing lawsuits and mounting beefs due to his irrational antics, Kanye retreated away for a while to get himself together, and while doing so, he crafted what would be a whole new musical direction with My Beautiful Dark Twisted Fantasy.  This musical soundscape contained big budgeted production that sounded as dramatic as the album title.  Make no mistake about it, this became a turning point for Mr. West, as this album went away fro lush arrangements mixed with boom-bap and went towards heavy musical experiences that only Kanye could create.  With over three million units sold, and cuts like "Runaway", "Lost In The World", and the crazy posse track "So Appalled" with Swizz Beats, RZA, Cyhi The Prince, Jay-Z, and Pusha T, this was the best album he had done since Graduation.



79. Young Jeezy- Let's Get It: Thug Motivation 101

The hustla's classic.  One of the most definitive trap albums ever recorded.  This album made the "snowman" a household name off this flames debut.  Anthems like "Trap Or Die" and "Go Crazy" resounded from CD decks not just in the south but from every hood and ghetto there was.  In the words of Nas, Jeezy became a "ghetto celebrity, hood movie star". While he's put out fairly strong releases since such as The Recession and Seen It All: The Autobiography, this album was his pinnacle point, and became Def Jam's newest platinum sensation.



78. Killer Mike- R.A.P. Music

While Killer Mike has always been a verbal beast since his emergence onto the scene in the early millennium, he's also been among the most underrated.  Albums like I Pledge Allegiance 2 The Grind and Pl3dge were highly acclaimed but he was still fairly much a bubbler.  We started to see a transition from underdog to mainstream threat with this vicious album with eventual partner-in-crime El-P all over the boards.  We saw the precursor of Run The Jewels with this album, and R.A.P. Music was FAR and away his best project ever in his solo career.  In the same rebellious attitude that made classics like AmeriKKKa's Most Wanted and Fear Of A Black Planet so landmark, this is Mike's solo magnum opus.



77. T.I.- Paper Trail

We've established that Tip Harris was becoming a major star for the south and was burgeoning on being a crossover star.  The notion became a reality with Paper Trail a big step in the direction of stardom.  Selling gold units in one week, he had major hits like "Whatever You Like" and the Rihanna-assisted "Live Your Life".  Plus who could forget the monstrous collab with Jay, Kanye, and Wayne "Swagga Like Us"?  This became his highest selling album to date, pushing quadruple platinum units.



76. Royce Da 5'9"- Death Is Certain

It's said that out of pain comes the best honest music.  It can be hit and miss at times.  For every seminal album like 2Pac's Me Against The World, there's N.O.R.E.'s Melvyn Flynt: Da Hustler.  This album from one of the most complete emcees in the game, Royce Da 5'9", serves as one of the moments that served well.  Recorded during a very dark and depressing period in his life, being heavy into alcoholism and occasional suicidal thoughts, this album, saw Royce at his his most angry and bleak.  While other albums like Rock City, Success Is Certain, and his most recent Layers are all excellent album that show off his second to none lyrical abilities, this album is one that has to be placed as his best effort, even if recorded with morbid feelings.



75. MF Doom- Born Like This

The almighty Doom resurfaced after his collab album with producer/DJ extraordinaire Danger Mouse (see later), The Mouse & The Mask, four years earlier.  Known for his efforts of Operation Doomsday, his highly regard MM...Food?! album, and especially his iconic underground classic with Madlib, Madvillainy (again see later), this may have been his most complete solo effort to date.  Definitely more accessible than albums in the past, it was still trademark Doom.  Using outside production from Jake One, Madlib, and Dilla, this was a HOT album.



74. Outkast- Speakerboxx/The Love Below

One of hip-hop's biggest crowning achievements happened with Outkast's legendary double album.  Its layout was something that had never been done before.  Big Boi had Speakerboxx, which was filled with funked-out, soulful toe tappers, while Andre 3000 had a very eclectic mixture of cuts and styles with The Love Below.  This album sold over eleven million units and officially put Outkast as the most successful hip-hop duo in history.  Multiple Grammy awards and monster singles like "Hey Ya", "The Way You Move" and "Bowtie" gave the duo its biggest success ever.  



73. Clipse- Hell Hath No Fury

One of the hottest coke rap albums of that era, the Thornton brothers definitely provided a suitable follow-up to their beyond dope debut, Lord WIllin'.  This one had less radio hits, as this was even more street than their debut, and The Neptunes provided some of their most knocking production to be heard at that time.  Yeah we know how hard "Mr. Me Too" went, but other cuts like "Momma I'm So Sorry" and "Trill" went just as heavy.  Unfortunately this would be their last album, as Pusha continued to be a solo artist and (No) Malice became a born again Christian and starting going into Christian rap.



72. Big K.R.I.T.- Cadillactica

One of the brightest starts to emerge out the south this generation is Mississippi native Big K.R.I.T. Known for outstanding mixtape like K.R.I.T. Was Here and Return Of 4eva, he signed with Def Jam and released Live From The Underground, a very promising, soulful debut that gave an alternative to the trap rap and ratchet rap that was plaguing the south.  However, he went two levels up with his follow-up, Cadillactica.  Using other producers such as Jim Jonsin and Rico Love, he expanded his sound more and the result was one of the finest southern albums to emerge in years.  It's only a matter of time before people as a whole stop snoozing on this cat.



71. Joe Budden- All Love Lost

Jersey Joey has always been polarized, more so for the man that he is more so than his emceeing abilities.  One quarter of the mighty Slaughterhouse gang dropped his undisputed best effort ever with All Love Lost.  Deeply personal, angry, and introspective, this fits in the same mold as Me Against The World or House Gang brother Royce Da 5'9"'s aforementioned Death Is Certain.  Every song is highly gripping as he deals with his demons and failed relationships.  This was the album we had been waiting on from him in terms of quality, we just wished it wasn't worthy of a therapist chair.



70. Ghostface Killah- Adrien Younge Presents Twelve Reasons To Die

If there's one thing GFK is known for, and that's for being a vivid emcee.  The most prolific to come out the Wu camp, Ghost dropped an aural cinematic classic.  Networking with composer extraordinaire Adrien Younge, the result was an amazing album that showed the awesome chemistry between the two geniuses.  This album stands among Ghost's most outstanding albums, bar none.



69. Common- Finding Forever

Lonnie Rashid Lynn is a legend.  He's among the most revered emcees of our time.  He had made very good hip-hop by dropping albums like Resurrection, One Day It'll All Make Sense, and especially Like Water For Chocolate.  After the mixed reviews of the very eclectic Electric Circus, his career was coming towards a crossroads.  Enter Kanye West, who signed him to G.O.O.D. Music and he dropped the album of his career, BE (see later).  After the almost Illmatic-esque praise of that album, he wanted to do it again with Finding Forever.  Although just short of the legendary acclaim of his prior album, this album was nothing at all to sneeze at.  In fact, this was almost every bit as lyrical and very bit as musically and conceptually strong as BE.  Clearly, West and Common need to do more together.



68. Rhapsody- Beauty & Da Beast (EP)

Snow Hill, NC's Marlena Evans has been penned as the next big woman emcee, and among the best newcomers in hip-hop on an overall scale.  Aside from her acclaimed mixtape like She's Got Game and The Black Mamba, she dropped a full-length album called The Idea Of Beautiful, which was simply among the best debuts to enter the game in quite some time.  In 2014, she dropped Beauty & Da Beast, and it continued the steady momentum that she had been building.  Compared to greats like MC Lyte and Rah Digga, and being the only one who could hang with King Kendrick on his genre-changing album, To Pimp A Butterfly, her star appeal is growing and growing and growing.



67. UGK- Underground Kingz

The legendary UGK dropped their final album together with Pimp C being alive.  This double album was a great introduction to new fans of Texas' finest.  Known for being one of the pioneering acts to emerge from Texas and defining a southern sound aside from The Geto Boys, UGK saw their biggest commercial success with this album.  While not quite the classic Ridin' Dirty was, this is almost right there with it, and it was a major final chapter to the much respected story of one of the greatest duos to ever do it.  As evidenced by their official crossover smash, the Grammy-nominated duet with Outkast, "International Playas Anthem", they didn't stay in the underground for long.



66. J. Cole- Cole World: The Sideline Story

There was heavy buzz about some cat named J. Cole outta Fayetteville, NC.  His mixtape of Friday Night Lights and Villematic caught lots of rotation and garnered enough attention to where Jay-Z decided to put him with Roc Nation.  With Jay's backing, and a blistering guest verse on Reflection Eternal's highly slept-on R.P.M. album, his debut finally dropped.  It definitely met expectations and was a highly touted debut.  With guest spots from heavyweights like Trey Songz, Drake and Missy Elliot, this album was introspective, personal, and definitely lyrical.  Not to mention, it became a platinum album.  We saw a new star on the rise from the Carolinas.



65. M.O.P.- Warriorz

The notorious Mashed Out Posse folks.  These Browsvillains have been making cats bang their heads against the wall since '94 when they dropped To The Death.  Never decreasing their musical integrity, they trademarked this head-banging, gun-clapping, riotous style that made them champions in the underground, in spite of them being on a major label for years.  They hit pay dirt with Warriorz, which became their highest-selling album thanks to their breakout hit "Ante Up" and their follow-up smash "Cold As Ice".  While other albums like Firing Squad and First Family 4 Life were very hard-hitting, this became their biggest opportunity to mainstream success.  



64. Ghostface Killah- Bulletproof Wallets

How do you follow-up a classic like Supreme Clientele (see later)? Ghost face came with an answer in the form of Bulletproof Wallets.  While not as musically astonishing as the prior, this still holds its own.  The original pressing of this album was even better than the final retail version, complete with tracks like "Sun" and the INCREDIBLE "Good Times" couldn't get cleared samples.  Nevertheless, cuts like "Street Chemistry", "The Forest", and "Strawberry" make this album a sincere part of Ghost's fantastic legacy.



63. Raekwon- Only Built 4 Cuban Linx...Pt. II


In '95, Wu-Tang's residential chef, Raekwon, delivered what became one of hip-hop's greatest achievements in Only Built 4 Cuban Linx..., which has widely been considered the greatest Wu solo album (besides Supreme Clientele) to emerge from the Wu.  With pressures from fans to deliver a sequel, he finally did so in '09, and the results were amazing.  It's damn near impossible to recover the magic of an exceptional classic debut. Raekwon did it with this one.  Everything from the cover to the feel of the album was reminiscent of the original and we loved it.  While not hitting too much on Italian mafia-like themes the whole album, it's actually welcomed with cuts like the dedication to deceased Wu brother "Ason Jones" but then goes right back into tales of hustling and revenge.  Truly, with several sub-par efforts, if the first one was The Godfather, this one was The Godfather Pt. II.  



62. Bun B- Trill O.G.

When the hip-hop world lost one half of UGK, Pimp C, the question was if Bun could hold it down without his partner-in-rhyme?  The answer was a resounding yes with his DOPE solo debut, Trill.  He then followed with II Trill, but it was third and final album in the Trill series that made the most noise.  This particular album stands as his most complete album to date.  With very strong tracks like the Drake-assisted "It's Been A Pleasure", "Lights, Camera, Action" and the Premo-powered "Let 'Em Know", this was Bun's most versatile album, and it worked like a charm.  Pimp would be more than proud.



61. Masta Ace- A Long Hot Summer

Hip-hop veteran and former Juice Crew member Masta Ace has had a very underrated career.  While he has put out some decent albums, he had a career resurgence with the HIGHLY acclaimed underground classic, Disposable Arts (see later).  This concept album not only showed that Ace lyrically still had it, it also showed that he knew how important it was to reinvent yourself and make it important and relevant to people with mature ears.  He wanted to follow that up with A Long Hot Summer, which serves as a sequel and it served well.  You can visualize a trip through Brooklyn streets in the hot summer day of a young up-and-coming emcee (this is the character he plays).  The production was every bit as fire as the first, and every bit as lyrical.  That's how you show these trend-following young bucks out here.  Be an artist with some thinking abilities.



60. Lupe Fiasco- Tetsuo & Youth

After struggling with sub-par albums for a couple years, Lupe Fiasco decided that his last major label album needed to be a big one.  He decided to go back to was brought him his acclaim as one of the game's premier lyricists and most intelligent emcees, as he showed on his phenomenal debut, Food & Liquor and his equally exceptional follow-up, The Cool.  This album was a refreshing reminder of how incredible of a cat he can be when he doesn't adhere to what the label wants and goes for what's in his heart and mind.  Mr. Fiasco delivered perhaps the most overall lyrical exercise of 2015 with the eight minute, no hooks just lyrics, prize "Mural", but this wasn't it.  Cuts like "Madonna" and "Adoration of the Magi" are among the best songs within his entire discography.  While we don't want him to retire like boldly proclaims that he will after he releases his final three albums this year, he can leave with no regrets and  legacy as one of the game's most unique, yet respected emcees of our generation.



59. Brother Ali- US

What hasn't been said about Minneapolis' Brother Ali positively?  He has presented some of the breathtaking albums of any artist ever in hip-hop, whether mainstream or underground.  His debut, Shadows On The Sun, is one of the most landmark albums in all of the underground to this day.  He, then followed up with Champion EP and The Undisputed Truth, which were both equally as exceptional (see all three later).  In '09, he returned with longtime producer Ant (from Atmosphere fame) to present US.  Easily comparable to his prior insane releases, this album delivers unabashed lyricism mixed with social commentary on race, struggle and community issues.  With this album, his philosophy was simple, if it ain't broke, don't fix it.



58. Lupe Fiasco- The Cool

It's no secret that Lupe Fiasco's debut, Food & Liquor, was among the most revered debuts in any era of hip-hop.  Could he redo that acclaim with his sophomore album, The Cool?  Damn sure did.  This album practically served as an unofficial sequel to it (his official sequel to it, Food & Liquor II: The Great American Rap Album, didn't quite meet those expectations).  Powerful cuts like "The Coolest", "Gold Watch" and "Hip-Hop Saved My Life" are exhibit how intelligent and well read this emcee is to this day.  Easily as comparable to his classic debut, this album was near the top of albums in any genre in '07.



57. Elzhi- The Preface

One of the strongest lyrical emcees to emerge from the D is Elzhi.  While we got a mainstream taste of his excellent abilities being a part of Slum Village after Dilla left, he had really gotten a buzz from his strong mixtape, Witness My Growth, before he joined the group.  When he left SV, he got up with production maestro Black Milk (another Detroit weapon) to give us The Preface.  Arguably the best produced album in all of '08, this album also demonstrated how conceptual this young emcee can be as well.  There wasn't one single flaw on here except that you wished there were more tracks to vibe to.  While other albums like his Illmatic-tribute album Elmatic and his most recent Lead Poison show his lyrical gifts as well, this remains his flag bearing album.



56. The Roots- Rising Down

The Roots are among the most consistently revered groups, not just in hip-hop but in all of music.  Never following any trends except their own, you can always rely on them to provide fantastic music.  They became stars within the millennium.  This was one album that put them in a wonderful conscious space.  One of their darkest and most bleak efforts, this is very cautionary and further showed that The Roots weren't just entertaining, they were very important as well for the culture.  While other efforts like How I Got Over, Game Theory, and The Tipping Point showed their musical exquisiteness with social commentary, Rising Down was arguably their most grim.



55. J. Cole- 2014 Forest Hills Drive

For Jermaine Cole, he had been on a roll with his great debut, Cole World: The Sideline Story, and his equally dope follow-up, Born Sinner.  However, he reached a whole new level of stardom and acclaim with his most poignant and ambitious effort yet in 2014 Forest Hills Drive.  With not a ton of promotion except a video of him going back to Fayetteville to let us in his world, the album dropped with no radio single at the time, but managed to go gold within a week and platinum in under a month.  Even more astonishing, there were no substantial features.  This album put him as an official leader of the new school of honest, personal, and intelligent emcees in the game.  



54. Ghostface Killah- Fishscale

The almighty GFK.  In the albums since Supreme Clientele, he has delivered great album after great album.  However, the question was could he ever redo the magic of Supreme Clientele?  While we still wait on Supreme Clientele 2: The Blue & Cream Era, the closest thing we had on a major label was his superb effort, Fishscale.  With no RZA influence on this album whatsoever, the production was on the hands of Dilla, MF Doom, Pete Rock, and Just Blaze among others.  Ghost sounded as fresh as ever, and his vivid storytelling was that of legend on this album up until Twelve Reasons To Die.  This remains Ghost's second best album ever and is among Wu-Tang's standards of excellence.  How NUTS was the Wu-reunion "9 Milli Brothers?"  



53. Atmosphere- When Life Gives You Lemons...

Minneapolis' emo-rap kings are among the most celebrated and revered in the underground.  They have been since the late nineties, but especially ever since God Loves Ugly.  From that point on, it has been highly acclaimed project after highly acclaimed project.  Their sixth album, When Life Hands You Lemons..., became their ultimate triumph, artistically and commercially, as the album debuted in the top five on Billboard Top 200, a feat rarely spoken of within the underground and indie world.  Always poignant, Slug's heart-on-his-sleeves rhymes over Ant's progressive production makes for one of the most decorated duos in all of hip-hop.



52. Q-Tip- The Renaissance

Every now and then, I question if I rated a album too low on the list due to how truly exceptional an album is.  This is one of those times.  Q-Tip had been getting mixed praise with his solo debut album Amplified.  True, there were decent, upbeat tracks that he and Dilla put together and made for a good time.  However, there were those people that needed that old Tribe feel.  The appetite was more than filled.  In short, this was a legitimate classic.  Tip showed that he still had that abstract flow that made him one of hip-hop's most cherished artists.  Not to mention, he's one of hip-hop's most innovative products.  Both talents were exquisitely shown on this flawless album that deserved all the praise it got and deserves even more.  Easily in the same arena acclaim-wise as BE, The College Dropout, or Black On Both Sides, this may get looked back at, and stated this should've been in the top twenty at the least.



51. The Roots- Game Theory

This album marked a turn for The Roots conceptually.  While prior albums like Phrenology and Things Fall Apart dabbled with experimentation and jazz underlings, Game Theory was the beginning of going into far more socially conscious and darker themes.  Tracks like "Livin In The New World", "False Media", and the astonishing "Clock With No Hands" showed that their focus was opening the ears of their fans on a conscious matter more so than in times not since Illadelph Halflife.  Plus the Dilla tribute "Can't Stop This" is just beyond words.  Definitely in their top five ever.



50. Jaylib- Champion Sound

If there was a dream team collaboration, it was Dilla and Madlib.  This would be the first of two genre-changing collabos from Madlib (see later).  This album saw them tag teaming a lot.  While Madliberator would be behind the boards, Dilla would be rhyming, and vice versa.  the result was one of the the underground's all-time revered albums, and one can only imagine what a sequel would've sounded like today?



49. Nas- Life Is Good

All hail the honorable legendary Nasir Jones.  Giver of the greatest rap album to ever grace our ears besides PE's It Takes A Nation Of Millions..., Nas is one of the most prolific poets ever heard.  He's had decent to very good albums along the road since Illmatic.  Albums like God's Son, It Was Written, Untitled, and especially Stillmatic have shown him as head and shoulders above any of his contemporaries.  On his tenth album, Life Is Good, he continues to prove his worth over nice tracks like "You Wouldn't Understand", "The Don", and "Roses".  Overcoming saddening events such as the passing of his mother to his divorce from Kelis, this album was an affirmation of him being the true don of hip-hop.



48. The Roots- Phrenology

Once they achieved their much overdue worldwide acclaim with their crossover smash album, Things Fall Apart, the world was anticipating their every move.  They started to experiment with different styles, themes, and sounds.  Thus comes, Phrenology.  This outstanding album mixes hip-hop with not just jazz like prior albums like Do You Want More?!?! and their magnum opus Illadelph Halflife, but they also bring forth elements like folk, soul, and rock, especially on their debut single "The Seed 2.0" featuring folk artist Cody ChestnuTT.  This was a very ambitious album and further showed the exceptional talent of Black Thought behind the mic.



47. Apollo Brown & O.C.- Trophies

This album is wat hip-hop is truly about: beats and lyrics.  Plain and simple.  Longtime Brooklynite and D.I.T.C. member O.C. collaborated with hot Detroit beat smith Apollo Brown to present his most cohesive effort since his sophomore album, Jewelz, which dropped in '97.  Sounding as hungry as he did when he first dropped his wonderful debut album of '94, Word...Life, his confidence is poured over practically flawless production from A. Brown.  This was as close to perfection as one could get and perhaps O.C.'s most defining album ever, and that's saying a lot.



46. Dr. Dre- Compton: A Soundtrack By Dr. Dre

While we were all waiting for over thirteen years for the lost album, Detox, it turned out the good doctor shelved it due to the fact he felt it was subpar.  Ever the perfectionist, he started from scratch and we're actually glad he did.  This album was perhaps what Detox should've been.  In a historic year for him with the Straight Outta Compton movie, he resurfaced with a very triumphant album.  Known for establishing new stars, he brought Anderson.Paak, King Mez,  and Justus to the masses, while getting up with vets like Kendrick, Eminem, and former N.W.A. brother Ice Cube.  Hits were EVERYWHERE on this album, but we don't expect anything less.



45. Lupe Fiasco- Lupe Fiasco's Food & Liquor

In an age of simplistic rhymes and lack of meaningful concepts, Lupe Fiasco came out the gate with a swift kick in the ass for hip-hop and brought an intelligence to hip-hop that had been more than missed on a mainstream level.  His debut, Food & Liquor, still remains as his prized jewel of an album due to his knack for storytelling rhymes and socio-political style.  We wouldn't see an album like this from him (with the exception of his follow-up The Cool) for another nine years.



44. The Roots- How I Got Over

We've seen the legendary Roots crew be angry, experimental, and anti-commercialism, but with How I Got Over, they become melancholy and quite somber.  This was an album that identified with the common man and woman, just trying to live in these trying days.  This album was very honest and as intimate as any album you'll come across from them to this day.  Arguably the best album they've produced since Illadelph Halflife as a whole.  Musical bliss.



43. Scarface- Deeply Rooted

H-Town hip-hop icon Scarface is widely known for dropping classic after classic throughout the nineties.  After The Fix (see later), he wasn't in a good space musically nor with J Prince and Rap-A-Lot.  He dropped decent yet not potent albums and he just needed time out to get himself right mentally as well as physically.  He returned in 2015, he delivered his best album since The Fix, and showed a Face we truthfully haven't seen since the nineties.  Needless to say, Deeply Rooted was his reintroduction album, yet also reported to be his swan song.  If it is, he went out the only way he knows how, like a true G.



42. The Game- The Documentary 2/2.5

The savior of the west coast after a fairly dormant few years throughout the late nineties was The Game.  He dropped his exceptional debut, The Documentary, and the "game" was never the same.  The newest star from the C-P-T had delivered an overall dope discography showing his talent and penchant for gangsta narratives, yet occasional honest vulnerabilities.  At long last, he dropped the sequel to his classic debut and in a rare case, the sequel was every bit as good as the debut.  This was so good, even breaking it into a double album didn't stop its momentum. In fact, it's possible this may be the most complete double album in over a decade in hip-hop.  Top to bottom, this was just short of album of the year status in 2015.  The winner...you'll see later.



41. Nas- Untitled

Many of Nas' fans would say his discography is that of legend, with even his weakest album, Nastradamus, better than most albums released that year.  However, as much as we love Nasty Nas, we also need the socio-commentator of the hood and Black culture as a whole.  This was celebrated on his album, Untitled.  The original name for it, Nigger, was obviously so controversial, nobody would sell it in stores unless the title was changed.  Regardless of what the title was, this album explored the plight, yet celebrated the empowerment of Blacks, even with using the most venomous word in the English language.  Phenomenal cuts like "Y'all My Niggas", "America" and "Testify" make you feel many emotions, but none more so than real.



40. Rhapsody- The Idea Of Beautiful

North Carolina's Rhapsody has been seen and regarded as this generation's MC Lyte and Queen Latifah in one woman.  Highly acclaimed for her insightful and fluid rhymes, she delivered a stellar debut that was empowering for not just women and men but Blacks as a whole and showed the many elements of what's perceived as beautiful in our society.  With several mixtape and EPs to her credit, this full-length album is one to grow with for years to come.



39. Nas- God's Son

How do you follow up a breathtaking album like Stillmatic?  Was attempted this feat with God's Son. Considering the pressures put on him to do an equally exceptional job, not to mention the unfortunate loss of his mother, he did a fantastic job.  Seen as one of his best, there are jewel after jewel on this one.  He reminisces (while sliding in a Ras Kass dis) on the incredible "Book Of Rhymes", gets his street hop on with "Made You Look" and hits your heart deeply with the somber dedication to his mother "Dance.  Yet another triumph for the maker of Illmatic.



38. 50 Cent- Get Rich Or Die Tryin'

Curtis "50 Cent" Jackson set the hip-hop world on fire with his major label debut, Get Rich Or Die Tryin'.  Getting signed by Eminem to Shady after a failed stint with Columbia for his shelved album, Power Of The Dollar, the Ja-Rule dis "Wanksta" was enough o make him a worldwide star alone, but once he dropped "In Da Club", it was a wrap.  The result was his magnum opus.  Many consider this among the strongest debuts of all-time, and for great reason.  This was not only his best album to date, it also became his highest selling to date as well, selling nearly diamond units.  While we've seen him come close to this with albums like The Massacre and his most recent Animal Ambition, nothing he has done, or perhaps will ever do, will touch this firestarter.  



37. El-P- Fantastic Damage

New York's El-Producto of Company Flow fame broke out on his own and dropped what has been widely considered one of the underground's most landmark albums of all-time.  Filled with social commentary and even more angst, highlighting the corruption of a commercial and government ran system, El-P set a new standard of production and pushed boundaries of being confrontational and unapologetic.  We later saw his knack for middle-finger fused rhymes and his lo-fi, electro-fused production with Killer Mike for Run The Jewels and KM's R.A.P. Music, thus finally bringing his art to the world on a grand scale.  This is where his madness was polished beyond Company Flow.  Listen to his rage.



36. Brother Ali- Champion EP

What you thought US was gonna be it on the list for Brother Ali?  What you smoking on?  This is a champion of the underground, thus the name of this hard-hitting EP.  It wasn't going to be an easy effort to follow-up the masterpiece that was Shadows On The Sun, but damn it he did and did with authority.  Getting back up with Ant for the production of the album, this further showed the sensational talent that Ali possesses and the passion with which he unloads it all.  There were no misses virtually with this, and continued to show why he was silently becoming your favorite emcee whether you knew it or not



35. Kendrick Lamar- Section.80

Before we all fully experienced the genius of Kendrick Lamar Duckworth on a worldwide level and before his Aftermath signing, he was one of the most talked about emcees on the rise in the underground.  His debut EP put people on and his follow-up the impressive Overly Dedicated were creating buzz about this young Compton native, but it was Section.80 that people really started to get on their job with this cat.  Filled with innovative concepts and highly intelligent lyrics, this album showed Kendrick's ability to tell a compelling story that grips you with its relevancy.  Cuts like "ADHD", the incredible "Kush & Corinthians", and "No Make Up" show the mind of Kendrick way before Good Kid, M.A.A.D. City and To Pimp A Butterfly.



34. MF DOOM & Danger Mouse are DangerDoom- The Mouse & The Mask

Leave it to two somewhat quirky talents like Doom and DJ/producer Danger Mouse to come up with an equally quirky album.  Based off Cartoon Network's Adult Swim programs, primarily Space Ghost, this was an oddball album that regardless sounded very fresh and innovative.  This was the closest Doom would come to even coming close to the brilliance Madvilliany was, but this was a strong effort in its own.  Soundbites from the show and guests like Talib Kweli and Ghostface make this is a psychedelic experience but a enjoyable one as well.



33. PRhyme- PRhyme

Yes Gawd!!  We mourned greatly when we lost Guru, the voice of Gangstarr.  While we're perfectly aware there's no replacing the legacy of Gangstarr, Premo and Royce Da 5'9' could very well establish a legacy that's very similar.  Doing cuts before with each other like "Hip-Hop" and "Boom", Royce and Premier are a great match, and along with producer/composer extraordinaire Adrien Younge, delivered one of the coldest hip-hop albums heard within this entire millennium.  The only disappointment was that it was an EP.  This should've been an endless array of fire-power lyrics and equally fire-powered production from two of the greats in their respective fields.



32. The Game- The Documentary

When G-Unit was the hottest crew in the land, they introduced a young Compton native that had already been known in the Cali underground scene, but was officially picked up by 50 and the good doctor.  When it was time for his anticipated debut album, The Documentary, we were already open off hits like "Westside Story", "Hate It Or Love It", and "How We Do".  The result was one of the most banging' debuts of the new millennium.  This was the type of debut that made new stars for the world to pay attention to.  From beginning to end, this was a very complete album, and with production work from Dre, Hi-Tek, Kanye, Red Spyda, and others, this was a damn strongly produced album as well.  While many criticized his penchant for constant name dropping, this was still a hell of a debut and a sign of great things to come for Jayceon Taylor.



31. Little Brother- The Listening

In the early 00's, there was a trio out of the Raleigh/Durham area that had the underground completely open.  The crew of Phonte, Rapper Big Pooh, and 9th Wonder presented a throwback to the early to mid-nineties hip-hop that was equivalent to De La Soul and Tribe in every sense.  This was fresh, feel good hip-hop.  No gimmicks, no dramatics needed.  These were just cats that loved hip-hop and wanted to recapture the magical feeling the culture once exuded.  A very prodigious debut, this was checked for all over the place bye even the likes of DJ Jazzy Jeff and Quest-Love.



30. dead prez- let's get free

When the millennium arrived, there was a duo from Brooklyn by way of Florida that was making a lot of noise with cuts like "Score" and "Selling' D.O.P.E.".  Seen as a cross-breed of Public Enemy and N.W.A., they dropped let's get free, and this became one of the most important debuts of our time in hip-hop.  Revolutionaries from the ghetto, M-1 and stic.man dropped jewels a plenty on this phenomenal debut that bleeds social commentary and Black empowerment.  The cover alone was enough to make you be intrigued over this album.  Albums like this are even more important in today's generation.



29. Brother Ali- The Undisputed Truth

With heads still trying to get themselves together from the astonishment that was Shadows On The Sun, and it's very decent EP follow-up, Champion, Ali dropped his second full-length album, The Undisputed Truth to damn near as much acclaim as Shadows.  More controversial due to its scathing rants about the government all over the album, Brother Ali was fearless and unrelenting in his disgrace of the White House and the powers that be.  Aggressive yet poignant, Ali chalked up another decisive win in his already unbelievable discography.



28. Cannibal Ox- The Cold Vein

Two Harlemites named Vast Aire and Vordul Mega created what became known as one of the most definitive albums in the underground throughout the decade with their exceptional debut, The Cold Vein.  With production by El-P, this had the feel of an apocalyptic NYC filled with paranoia and hardships.  A championed album in every facet, we wouldn't see another Cannibal Ox album for over ten years, and even thought the album was dope, it wasn't The Cold Vein, not by a landslide.  This album was hard and cold, and this should've been the launching pad to propel these two into the galaxy beyond the underground.



27. Scarface- The Fix

The author and creator of four of the most impactful consecutive albums in the history of hip-hop, Brad Jordan is no stranger to crafting memorable, long-lasting hip-hop, and The Fix was no different.  His first and only album on Def Jam South, this album was his most star-studded with names like Nas, Jay-Z, Faith Evans, and Beanie Sigel dropping in, strong heavyweights like Kanye on the board for a couple tracks.  What it didn't lack at all was the formula that made Face a legend to begin with: brutal honesty, gritty realism, and impeccable storytelling.  This time, he adds all that with a strong sense of spirituality and redemption making this perhaps his most poignant release to date. 



26. Jean Grae- Jeanius

Emcee phenom Jean Grae is one of the most feared voices in all of hip-hop.  Albums such as her promising debut, Attack of the Attacking Things and This Week all displayed her witty and intricate way with words.  It was her collaboration with 9th Wonder, however, that her skills were placed over some of the most soulful and acclaimed beats of her career.  The album, a tour de force of an album by the way, is a fantastic example of ability to cut right to your throat with her rhymes, while still managing not to take herself too seriously at times, especially on the Phonte-assisted "The Time Is Now".  A definitive album for both Jean and 9th alike, this album is still a treasure for all who had the pleasure of purchasing.



25. Del The Funkee Homosapian and Dan The Automator are Deletion 3030- Deletion 3030

Every so often, a concept album comes along that completely makes you reevaluate the state of hip-hop.  The album is so brilliantly put together and it gives you hope that there are artists that actually care to think and give you new creative albums designed to shake the stagnation up.  This is one of those albums.  Longtime Hieroglyphics member Del The Funky Homosapien teamed up with gorillas producer Dan The Automator to present the first ever sci-fi hip-hop album.  The concept is built around a planet built entirely around hip-hop that is endangered of going extinct due to technology and science.  Every track on here flows wonderfully together and the result is something that doesn't come around everyday.  This was ground breaking for the underground and one of the most revered projects in all of hip-hop throughout the millennium.



24. Little Brother- The Minstrel Show

While showing just how excellently talented the abilities of Phonte, Pooh, and 9th were, they got scooped up by Atlantic Records for their major label debut.  This album took the strong efforts of The Listening and multiplied it into one of the game's most exiting projects of the past decade.  Many feel this is their biggest and most cherished album, and conceptually, this album was a play on stereotypes of Black America, especially in pop culture.  Incredible cuts like "Hiding Place" with Etzhi, "Slow It Down", and "Lovin' It" showed that they were truly on their way to being our generations' Tribe or De La had they would've all stuck around longer as a group.



23. Masta Ace- Disposable Arts

One of the grand vets of this game resurfaced in '01 with what can only be described as a realistic conceptual album.  He plays a guy that just got out of jail and returns home in Brooklyn to find out how crazy the streets have become and enrolls in a school called "The School of Disposable Arts", which is totally hip-hop based.  The conceptual storytelling of this album as a narrative is astounding, and truthfully he crafted the album of his career with this one.  While known for albums like Take A look Around and Slaughtahouse up to this point, this became a whole new look for Ace, as he reinvented himself but kept his tremendous lyrical abilities regardless.  This was a defining moment in the career of Ace, and one that every album from him since has been trying to live up to.



22. Common- Like Water For Chocolate

When Common left Relativity Records for MCA Records, he knew he needed to do a reintroduction of sorts.  What we didn't anticipate what just how much of a stellar breakthrough release this would become.  We were first Blessed with the Dilla-crafted "Doinit" and the exquisite Premo-powered "The 6th Sense", then from that point on, we knew were in for something special, and we got it.  His fourth album, Like Water For Chocolate, was an extraordinary album from an extraordinary emcee.  This was the most mature-sounding we had heard from Common and once "The Light" dropped, he went to the moon with his first platinum album.  A hip-hop treasure, Like Water For Chocolate officially gave Common what he needed for a long time, commercial accessibility without sacrificing his craft.



21. Freddie Gibbs & Madlib- Pinata

Highly touted and revered producer Madlib, who was officially given underground producer god with his work on Madvillainy, decided to collaborate with rising Midwest rapper Freddie Gibbs, who had been known for dope projects like Str8 Killa, ESGN, and Cold Day In Hell.  They got the streets open with the insane single "Thuggin'".  The anticipation was high for their awaited album, Pinata, and when it hit, man were we buggin' out.  Seen as a gangsta version of Madvillainy, Gibbs delivered a new career benchmark and became more noticeable in the mainstream's eye.  To say the least, Madlib's magic did it again, as gangsta rap never sounded so beautiful in this time.  



20. Talib Kweli & Hi-Tek are Reflection Eternal- Train Of Thought

By the end of the first year of the millennium, we were gifted with incredible albums like the aforementioned Like Water For Chocolate and Supreme Clientele.  While those albums were acclaimed to classic status, one other album should've made in the same conversation.  Brooklyn emcee Talib Kweli got up with friend and DJ/producer from Cincinatti, Hi-Tek to make Train Of Thought.  Known for their underground work for the once highly praised Rawkus Records, and fresh off his timeless collab album with Mos Def as Black Star, these guys had weight on their backs to craft an album just as formidable and did they ever.  This album still stands as Hi-Tek's production masterpiece and we got just another example as to why Kweli was one of the game's most intelligent rhyme animals.  This had boom-bap, ol school, sensitive poetry and exotic musicianship all in one, and is one of the best albums of any age in hip-hop.



19. Ghostface Killah- Supreme Clientele

Let's face it, three crews ran the entire nineties: Deathrow, Bad Boy, and the Wu.  The Wu was in their peak season, having dropped Wu-Tang Forever in '97 and releases during that time from Method Man, Raekwon, and Ol' Dirty Bastard.  None, however, would reach the pinnacle of acclaim Ghost's sophomore album, Supreme Clientele, would reach.  After delivering a hot debut in '96 with Ironman, we had no idea just how much of a punch his sophomore album would be.  Hands down, this and Rae's Only Built 4 Cuban Linx... are the best Wu albums of all-time.  Ghost found his lyrical niche, as he was at his lyrically dexterous best.  Just as much, the story is also about the impeccable production.  Each cut is distinct and carried a Wu signature with it, but even we weren't prepared for the most bizarre yet brilliant use of a scratched record ever done, as evidenced on "Strokes Of Death".  This album is the definitive Ghost album, and considering the albums he has released since, that's saying something.



18. J Dilla- Donuts

There will never be another J Dilla.  This Detroit native is placed among the Mount Rushmore of hip-hop producers and is highly regarded as the most influential hip-hop beatsmith ever.  From Common to Nas to Ghostface, if you were blessed with a Dilla beat, you were in a high standard.  Primarily known for his work with Tribe and Slum Village, he became the most fascinated producer in not just the underground but anywhere in hip-hop.  His instrumental album, Donuts, is considered the end-all-be-all of hip-hop instrumental albums to this day.  This was the album that solidified the legacy James Yancey would be known by.  A true icon.  Rest in beats.



17. Blu & Exile- Below The Heavens

One of the most definitive underground albums of this or any era came from the west coast.  Cali upstart Blu got up with acclaimed producer Exile to create a fabulous soundscape in this day and age.  Blu's debut, Below The Heavens, was a highly intelligent and spiritual boom-bap journey of a young man coming of age.  While their next album, Give Me My Flowers...was hit and miss, and a lot of Blu solo albums could be considered the same way, this album saw the beginnings of a future commodity in hip-hop.  This is a gorgeous debut that needs to stop being slept on...NOW!



16. Kanye West- Late Registration

When Kanye was called to deliver a formidable follow-up to his classic debut, The College Dropout, he didn't sweat it whatsoever.  Not only did he do so, he exceeded even more expectations.  He became known for crafting even more methodically organized samples and this time more lush arrangements.  While we started to see the start of superstar Kanye, with themes of materialism and stardom, this is still definitive Kanye and is considered one of his greatest artistic and critical milestones.  With Grammys and other accolades a-plenty just from this album and units selling around four million, it's no wonder this album stamped him as a star.



15. Slum Village- Fantastic Vol. 2

If there was ever such a thing as neo-hip-hop, this would be a perfect album to put as an example.  With the demise of Tribe and the lengthy abscence between albums from De La Soul, we needed a new voice to represent a Native Tongues-type vibe, much like Little Brother.  In 2000, we were delivered SV's Fantastic Vol. 2, a much more cohesive and fluid sequel to their prodigious yet unfocused debut Fantastic Vol. 1.  We officially saw the rise of the production stardom of Dilla with this album.  This was such an amazing album, artists like Pete Rock, Kanye West, and Common have considered this one of the greatest album ever heard.  This was a very needed approach to feel good, no frills hip-hop that Tribe left behind.  While other albums have been hits and misses, this remains one of the millennium's best examples of just good ol' hip-hop.



14. Brother Ali- Shadows On The Sun

Was there more of a critically acclaimed album within the entire underground during this time?  With the exception of one that will be seen later, the answer is a profound nope.  This was raw, heartfelt, honest, intelligent, and b-boy lyrical all in one album, and it's touted as one of the greatest hip-hop albums to exist this entire era.  Brother Ali's Shadows Of The Sun is an exemplary piece of art that is hard to be replicated in today's overall talentless period of rap.  Outstanding doesn't begin to describe this album, you just have to breathe this album in and exhale the rubbish you've been forced to digest.  Simply put, this is what hip-hop sounds like kiddies.



13. Jay-Z- The Blueprint

Jay may be the game's most overrated emcee, but when he's good, he's hot.  He's had his share of fantastic albums and duds alike, but he struck paydirt in 2001 with The Blueprint.  Not since Biggie's Life After Death has their been a bigger marriage of the radio and the streets.  While many of his fans swear his venomous dis cut to Nas and Prodigy "The Takeover" was the dis song of all dis songs and that he defeated Nas (he didn't at all BTW), this album as a whole was the new standard to judge Jay by musically and lyrically, just as much as Reasonable Doubt.  This was the absolute perfect Hov album.



12. Kanye West- Graduation

Completing the thrilling trilogy subjecting around a school theme, Kanye reached another plateau with Graduation.  Combining the best of The College Dropout and Late Registration, Graduation saw him reaching back into his backpack and bringing good ol soulful hip-hop.  With excellent cuts such as "Stronger", "Champion", and "Everything I Am", Kanye knocked it out the park post-College Dropout and an album that was as meaningful to hip-hop as anything acclaimed within the decade.



11. Killer Mike & El-P are Run The Jewels- Run The Jewels

When Killer Mike sand El-P were coming out saying they were putting out an album together, many were very excited, as El-Producto did a fantastic job producing Mike's aforementioned R.A.P. Music.  This not only met our expectations, it surpassed them, a lot.  This was fun, yet in-your-face at the same time.  El-P's electro-heavy production was actually very well meshed with Mike's southern battle heavy drawl.  Not to mention, El-P's anti-establishment and slightly anarchist lyrics were very much fitted on this album, as tackle everything from religious hypocrisy to governmental control.  This was a debut for your ass, and then some.



10. Kendrick Lamar- Untitled, Unmastered

You know you're a special artist when you have an album filled with throwaways from the greatest album of this decade (spoiler alert), and they're still better than anything current out in this game.  Nas dropped The Lost Tapes, which was filled with cuts that were bootlegged and lost album cuts from I Am, Stillmatic, and Nastradamus.  This one contained elements that made To Pimp A Butterfly the masterpiece it is: funk, jazz, soul, and bossa nova bits.  While there were no official titles to any of the songs, this is an album you just let ride with no critiques.  There's no need to.  Even in Kendrick's not so focused vision on this album, this still reeks of brilliance and insight.  One could only imagine what would've happened if these cuts were of better quality and mixed for the better.  The thought provokes shivers.



9. Eminem- The Marshall Mathers LP

When we got introduced to Marshall Mathers in '99 with his major label debut, The Slim Shady LP, we knew there was a genius level of lyricism mixed with macabre and twisted humor.  This was all multiplied in 2000 when we got his sophomore follow-up, The Marshall Mathers LP.  While this is sick, twisted, mildly homophobic, and damn sure filled with blunt honesty and occasional rage, this is also a masterwork.  We saw there was a ton of depth within Mr. Mathers and while we were occasionally uncomfortable with the ride, none of us can say the ride wasn't worth it all.  Conceptually, is there a better song than "Stan"?  Let's not even mention that this is one of the biggest-selling hip-hop albums of all-time.



8. Outkast- Stankonia

If there was ever an album that defined artistic expansion and creative envelope pushing, it was Outkast's fourth album, Stankonia.  Looking to grow in even more eclectic avenues, this album could subsequently be seen as Aquemini Pt. 2.  While Aquemini mixed world music, samba, funk, blues, and soul, this brilliant piece of work infused all that plus psych, rave, and electro to make a truly unique ride through the make believe city of Stankonia.  Selling over six million units, they were well on their way to becoming the greatest-selling hip-hop duo ever seen, not to mention accolade after accolade.  One of the most ingenious recordings of our time, in any genre.



7. Run The Jewels- RTJ2

Dear God!!  We didn't think it was possible to outdo their first offering together, but they did.  This is even darker and more layered than their unstoppable debut.  These guys are angrier, more in-your-face, and even more bleak about the future of America and is substantially more paranoid.  This album is a game-changer, and is as hard-hitting as any album done in many years.  Cuts like "Blockbuster Nite Pt. 1" and "Close Your Eyes and Count To Fuck" are like several blows to your abdomen and will be guaranteed to cause neckbraces to be handed out while constantly being on the edge of insanity.  This album is beyond special.  Killer Mike and El-P officially have put themselves as the most dangerous duo in music today.



6. Nas- Stillmatic

After getting his cred nearly assassinated by Jay-Z on "Takeover" and critics thinking he fell off with Nastradamus, he took time off to reassert himself, and when he returned, he knocked the game on its ass to remind people just who he was.  It started with one of the most factual dis records of all-time "Ether" that shut down anything Jay had to come at him with.  From there, the anticipation was reaching epic proportions.  Not only did it not disappoint, it ended up becoming his greatest achievement since Illmatic.  he went back to the hood poet that was among the most intelligent street rhymers of our time.  Creative bangers like "Rewind" and the amazing declaration of overcoming hate and troubles on "You're The Man" brought him his championship back and became a career turner for him.  While many say Jay had the better commercially-accessible album, this was for the mature-minded emcee and fan.  Nas was once again "the man".



5. Kanye West- The College Dropout

Introducing Kanye West, Roc-A-Fella's major league producer (along with Just Blaze at this time).  Turns out dude can rhyme, and ain't bad at all.  He turned heads with his haunting and autobiographical "Through The Wire", but that was far from it.  When he dropped his debut album, The College Dropout", it was clear he was gonna help lead hip-hop in a new soulful, honest direction.  This admitted backpacker (at that time) delivered some of the most relatable hip-hop heard since the likes of Common and Talib Kweli.  His production was the stuff of prodigies in terms of sample flipping.  This album explores everything from HBCUs ("School Spirit") to poverty ("Never Let Me Down") and religion (the breathtaking "Jesus Walks") in such transparent realism.  This is one of the genre's most captivating debuts in any era and marked the rise of a star, with or without the Roc.



4. Kendrick Lamar- Good Kid, M.A.A.D. City

West coast prodigy Kendrick Lamar, after catching critical acclaim with his work on his aforementioned excellent Section.80, caught the ear of Dr. Dre and signed him to Aftermath for his major label debut, Good Kid, M.A.A.D. City.  When news broke, we were fiending for the music we would hear with the good doctor.  The first street single was the DOPE "The Recipe", but when we got wind of "Swimming Pools", we were completely open.  The track about his own personal struggles in the past with alcohol abuse made him an official star.  From there, incredible tracks like the Drake-assisted "Poetic Justice" and the thumping "Backseat Freestyle" showed off his lyrical dexterity.  However, very poignant pieces like "Sing About Me" and "Dying Of Thirst" are exemplary tracks that helped make this album one of the most impactful debut ever made and signaled the new turn of leadership in hip-hop to emerge from the west.



3. MF Doom & Madlib are Madvillain- Madvillainy

The only word to describe this piece of musical brilliance is MASTERFUL.  This one album changed the entire course of the underground and made it the most acclaimed underground album of all-time.  It became the standard bearer of musical excellence and Doom and Madlib became the most auspicious duo around.  Much like classics like De La Soul Is Dead and Aquemini, this takes a while to fully unpack the genius concoction of what this entails, but once you've absorbed it, this is an album completely and totally ahead of its time, and truthfully is completely beyond anything that is anything conventional.  As unorthodox as it is organic, cuts like "Figaro" and "Fancy Clown" are so trademarked Doom that even over beats from Madlib, which are among the unique beats ever heard, this album is in a lane all by itself.



2. Common- BE

If there a was a beating heart of what hip-hop represents for us within the culture, Common's BE was that beating heart.  After his bizarre yet critically mixed Electric Circus (recorded during a time where he said he wasn't a fan of rap at that point and wasn't listening to it), he got up with Kanye to deliver the album of his career hands down.  Over some of the most perfect Kanye production ever heard, Common found his fire again and his love for the game in what can be described as the spirit of Illmatic all over this record.  Stellar tracks like "The Food", "The Corner", and "Go" are classic Common with new passion and a b-boy's heart.  Up until last year, there wasn't an album on this hip-hop earth that touched this album in all of its purity and its back to basics approach to presenting quality hip-hop. Not only does this stand as his best work ever, but also as one of hip-hop's all-time greatest prizes.



1. Kendrick Lamar- To Pimp A Butterfly

Do I really need to go into why this is the best album of the millennium?  For that matter, do I even need to state why this is one of the most important albums from this or any genre in the past twenty years.  Kendrick officially became the leader of the new generation with this landmark release.  A masterwork to say the least, this is a brilliant conceptual piece that will stand the test of time throughout the years and decade of hip-hop.  Touching into not just hip-hop but the Black experience as a whole, cuts like "How Much A Dollar Cost" and "Mama" are jarring and sobering looks at a society that he's passionate about saving but views himself as a failure along the way.  Much like Marvin Gaye's timeless epic What's Going On to Public Enemy's It Takes A Nation Of Millions To Hold Us Back, this is the standard to which all conceptual, passionate, gripping music is based, at least within hip-hop circles.  Musically, this is the stuff of legend, with elements of blues, jazz, funk, and soul mixed with live instrumentation being the catalyst of this release.  This is the official benchmark for King Kendrick.  Not only did he do the damn near impossible by outdoing his phenomenal debut, but he made an album that quite possibly saved hip-hop music for this current era.  This album is nothing short of complete and total perfection.

Honorable Mentions

Pusha T- King Push: Darkest Before Dawn
Roc Marciano- Marcberg
Roc Marciano- Reloaded
Big K.R.I.T.- Live From The Underground
Gangrene- You Disgust Me
Gangrene- Vodka & Ayahuasca
Logic- Under Pressure
Logic- The Incredible True Story
Joey Bada$$- B4. Da. $$
Ka- The Night's Gambit
Sean Price- Mic Tyson
Sean Price- Jesus Price Supastar
Sean Price- Monkey Barz
Tech N9ne- Something Else
Demigodz- Killmatic
Drake- If You're Reading This, It's Too Late
Drake- Thank Me Later
Drake- Nothing Was The Same
Ab-Soul- Control System
Skyzoo- The Salvation
Skyzoo- Music For My Friends
Damani Nkosi- Thoughtful King
Pharoahe Monch- P.T.S.D.
Pharoahe Monch- W.A.R.
A$AP Rocky- At.Long.Last.A$AP
eMC- The Show
Apollo Brown & Ras Kass- Blasphemy
Danny Brown- XXX
Cunninlynguists- Oneirology
Nicky Minaj- The Pinkprint
Mac Miller- Good: A.M.
Blackalicious- Broken Arrow
Blackalicious- Nia
Chance The Rapper- Acid Rap
Aesop Rock- Labor Days
R.A. The Rugged Man- Legends Never Die
Ludacris- Word Of Mouf
Common- The Dreamer, The Believer
Nas- Hip-Hop Is Dead
Action Bronson & The Alchemist- Rare Chandeliers
Action Bronson- Dr. Lecter
The Alchemist- Russian Roulette
Mobb Deep- The Infamous Mobb Deep
INI- Center Of Attention
dead prez- R.B.G.
The Roots- The Tipping Point
The Roots- Undun
Ghostface Killah- The Pretty Tony Story
Bun B- Trill
The Game- The Doctor's Advocate
Random Axe- Random Axe
Little Brother- Getback
Jean Grae- This Week
Atmosphere- God loves Ugly
Atmosphere- You Can't Imagine The Fun We're Having
El-P- I'll Sleep When You're Dead
Slaughterhouse- Slaughterhouse
MF Doom- Mm...Food??
Jay Rock- 90059
Royce Da 5'9- Success Is Certain
L'Orange- The Golden Years
L'Orange & Jeremiah Jae- The Night Took Us In Like Family
Blu- Her Favorite Colo(u)r
Blu & Mainframe as Johnson & Johnson- Johnson & Johnson
Mos Def- The Ecstatic
Reflection Eternal- R.P.M.
Talib Kweli- Quality
Talib Kweli- Eardrum
Talib Kweli- Gravitas
Buckshot & 9th Wonder- Chemistry
Murs & 9th Wonder- Murray's Revenge
Murs & 9th Wonder- Fornever
Murs & 9th Wonder- The Final Adventure
Murs & 9th Wonder- Sweet Lord
David Banner & 9th Wonder- Death of a Pop Star
Masta Killa- No Said Date
Styles P- A Gangster & A Gentleman
Ice Cube- Laugh Now, Cry Later
Rick Ross- Teflon Don
RZA as Bobby Digital- Digital Bullet
Blaq Poet- The Blaqprint

As you can see the millennium was FILLED with tons of outstanding music, in spite of what's being forced upon you today.  Hip-hop isn't dead, it's fully living, you just may need to change your method or approach to finding it.  Chances are I'll get inundated with lots of omissions or people disagreeing with my placement of the selections, and that's okay.  This is strictly subjective.  In any event, hope you enjoyed checking out this list.  Until next time, hold it down!